Sukumara Natana Thathwa

Nonfiction, Art & Architecture, General Art, Entertainment, Performing Arts
Cover of the book Sukumara Natana Thathwa by Uma Tapasyananda, Partridge Publishing India
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Author: Uma Tapasyananda ISBN: 9781482819090
Publisher: Partridge Publishing India Publication: March 20, 2014
Imprint: Partridge Publishing India Language: English
Author: Uma Tapasyananda
ISBN: 9781482819090
Publisher: Partridge Publishing India
Publication: March 20, 2014
Imprint: Partridge Publishing India
Language: English

Sukumara Natana Thathwa, began with random thoughts, observations, reactions, being noted down for me alone, and then, very soon, it took on an existence of its own, dragging me along with it, tightly chained, so that I was pulled back to the subject in spite of the numerous deviations, where I was forced to play various roles, that of a wife, a mother, a teacher, even a performer! In every role I played , I felt insufficient, incomplete, except a few moments on stage, that stands out as the sole meaningful events that justify ones existence. It is perhaps these shining moments that has convinced me of the worth of this work. It is also the continuous, eternal search for these same moments, where life is transformed and all conflicts are momentarily resolved, when all seems well and alright in this world, that has led me on, into stage experiments with contents, as well as, stylistics of Mohiniattom, involving in-depth interpretations of characters represented on stage, attempting amalgamations of themes, combining fictions with ancient lore, also trying to bring universal relevance in thematic presentations.

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Sukumara Natana Thathwa, began with random thoughts, observations, reactions, being noted down for me alone, and then, very soon, it took on an existence of its own, dragging me along with it, tightly chained, so that I was pulled back to the subject in spite of the numerous deviations, where I was forced to play various roles, that of a wife, a mother, a teacher, even a performer! In every role I played , I felt insufficient, incomplete, except a few moments on stage, that stands out as the sole meaningful events that justify ones existence. It is perhaps these shining moments that has convinced me of the worth of this work. It is also the continuous, eternal search for these same moments, where life is transformed and all conflicts are momentarily resolved, when all seems well and alright in this world, that has led me on, into stage experiments with contents, as well as, stylistics of Mohiniattom, involving in-depth interpretations of characters represented on stage, attempting amalgamations of themes, combining fictions with ancient lore, also trying to bring universal relevance in thematic presentations.

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