Supercinema

Film-Philosophy for the Digital Age

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Supercinema by William Brown, Berghahn Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: William Brown ISBN: 9780857459503
Publisher: Berghahn Books Publication: May 1, 2013
Imprint: Berghahn Books Language: English
Author: William Brown
ISBN: 9780857459503
Publisher: Berghahn Books
Publication: May 1, 2013
Imprint: Berghahn Books
Language: English

Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the use of continued conventions more suited to analogue cinema, in a way that is analogous to that of Superman hiding his powers behind the persona of Clark Kent. Locating itself on the cusp of film theory, film-philosophy and cognitive approaches to cinema, Supercinema also looks at the relationship between the spectator and film that utilizes digital technology to maximum, ‘supercinematic’ effect.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the use of continued conventions more suited to analogue cinema, in a way that is analogous to that of Superman hiding his powers behind the persona of Clark Kent. Locating itself on the cusp of film theory, film-philosophy and cognitive approaches to cinema, Supercinema also looks at the relationship between the spectator and film that utilizes digital technology to maximum, ‘supercinematic’ effect.

More books from Berghahn Books

Cover of the book The Voice of Prophecy by William Brown
Cover of the book People, Money and Power in the Economic Crisis by William Brown
Cover of the book Visions of the End of the Cold War in Europe, 1945-1990 by William Brown
Cover of the book Suffering and Evil by William Brown
Cover of the book Reflecting on Reflexivity by William Brown
Cover of the book Environmental Organizations in Modern Germany by William Brown
Cover of the book Legends of People, Myths of State by William Brown
Cover of the book Playing with Languages by William Brown
Cover of the book Where There Is No Midwife by William Brown
Cover of the book Going First Class? by William Brown
Cover of the book Refugees From Nazi Germany and the Liberal European States by William Brown
Cover of the book Shadowlands by William Brown
Cover of the book Theatres Of Violence by William Brown
Cover of the book The Nazi Genocide of the Roma by William Brown
Cover of the book After the Cult by William Brown
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy