Supernatural Horror in Literature

Mystery & Suspense
Cover of the book Supernatural Horror in Literature by H. P. Lovecraft, Dover Publications
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: H. P. Lovecraft ISBN: 9780486157580
Publisher: Dover Publications Publication: August 7, 2012
Imprint: Dover Publications Language: English
Author: H. P. Lovecraft
ISBN: 9780486157580
Publisher: Dover Publications
Publication: August 7, 2012
Imprint: Dover Publications
Language: English

H. P. Lovecraft (1890–1937), the most important American supernaturalist since Poe, has had an incalculable influence on all the horror-story writing of recent decades. Although his supernatural fiction has of late been enjoying an unprecedented fame, it is still not widely known that he wrote a critical history of supernatural horror in literature that has yet to be superseded as the finest historical discussion of the genre. This extraordinary work is presented in this volume in its final, revised text.
With incisive penetration and power, Lovecraft here formulates the aesthetics of supernatural horror, and summarizes in masterful fashion the range of its literary expression from primitive folklore to the tales of his own 20th-century masters. Following a discussion of terror-literature in ancient, medieval and renaissance culture, he launches on a critical survey of the whole history of horror fiction from the Gothic school of the 18th century (when supernatural horror finally found its own genre) to the time of De la Mare and M. R. James. The Castle of Otranto, Radcliffe, "Monk" Lewis, Fathek, Charles Brockden Brown, Melmoth the Wanderer, Frankenstein, Bulwer-Lytton, Fongué's Undine, Wuthering Heights, Poe (an entire chapter), The House of the Seven Gables, de Maupassant's Horla, Bierce, The Turn of the Screw, M. P. Shiel, W. H. Hodgson, Machen, Blackwood, and Dunsany are among the authors and works discussed in depth. Lovecraft also notices a host of lesser supernatural writers — enough to draw up an extensive reading list.
By charting so completely the background for his own concepts of horror and literary techniques, Lovecraft throws light on his own fiction as well as on the horror literature which has followed in his influential wake. For this reason this book will be especially intriguing to those who have read and enjoyed Lovecraft's fiction as an isolated phenomenon. These and other readers, searching for a guide through the inadequately marked region of literary horror, need search no further. New introduction by E. F. Bleiler.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

H. P. Lovecraft (1890–1937), the most important American supernaturalist since Poe, has had an incalculable influence on all the horror-story writing of recent decades. Although his supernatural fiction has of late been enjoying an unprecedented fame, it is still not widely known that he wrote a critical history of supernatural horror in literature that has yet to be superseded as the finest historical discussion of the genre. This extraordinary work is presented in this volume in its final, revised text.
With incisive penetration and power, Lovecraft here formulates the aesthetics of supernatural horror, and summarizes in masterful fashion the range of its literary expression from primitive folklore to the tales of his own 20th-century masters. Following a discussion of terror-literature in ancient, medieval and renaissance culture, he launches on a critical survey of the whole history of horror fiction from the Gothic school of the 18th century (when supernatural horror finally found its own genre) to the time of De la Mare and M. R. James. The Castle of Otranto, Radcliffe, "Monk" Lewis, Fathek, Charles Brockden Brown, Melmoth the Wanderer, Frankenstein, Bulwer-Lytton, Fongué's Undine, Wuthering Heights, Poe (an entire chapter), The House of the Seven Gables, de Maupassant's Horla, Bierce, The Turn of the Screw, M. P. Shiel, W. H. Hodgson, Machen, Blackwood, and Dunsany are among the authors and works discussed in depth. Lovecraft also notices a host of lesser supernatural writers — enough to draw up an extensive reading list.
By charting so completely the background for his own concepts of horror and literary techniques, Lovecraft throws light on his own fiction as well as on the horror literature which has followed in his influential wake. For this reason this book will be especially intriguing to those who have read and enjoyed Lovecraft's fiction as an isolated phenomenon. These and other readers, searching for a guide through the inadequately marked region of literary horror, need search no further. New introduction by E. F. Bleiler.

More books from Dover Publications

Cover of the book Philosophy of Science by H. P. Lovecraft
Cover of the book The Story of Frankenstein by H. P. Lovecraft
Cover of the book Introduction to Differential Geometry for Engineers by H. P. Lovecraft
Cover of the book Say It in Danish by H. P. Lovecraft
Cover of the book Lectures on Fluid Mechanics by H. P. Lovecraft
Cover of the book The Metaphysics by H. P. Lovecraft
Cover of the book Scottish Tartans in Full Color by H. P. Lovecraft
Cover of the book Drawing the Female Form by H. P. Lovecraft
Cover of the book Before This Decade Is Out by H. P. Lovecraft
Cover of the book Winterbound by H. P. Lovecraft
Cover of the book Operational Calculus in Two Variables and Its Applications by H. P. Lovecraft
Cover of the book 2000 Classic Designs for Jewelry by H. P. Lovecraft
Cover of the book Aladdin and the Wonderful Lamp by H. P. Lovecraft
Cover of the book Don Giovanni by H. P. Lovecraft
Cover of the book Integral Equations by H. P. Lovecraft
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy