Synchronization and Title Sequences

Audio-Visual Semiosis in Motion Graphics

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Art & Architecture, General Art, Art Technique
Cover of the book Synchronization and Title Sequences by Michael Betancourt, Taylor and Francis
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Author: Michael Betancourt ISBN: 9781351619394
Publisher: Taylor and Francis Publication: September 19, 2017
Imprint: Routledge Language: English
Author: Michael Betancourt
ISBN: 9781351619394
Publisher: Taylor and Francis
Publication: September 19, 2017
Imprint: Routledge
Language: English

Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

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Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

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