Text, Lies and Cataloging

Ethical Treatment of Deceptive Works in the Library

Nonfiction, Reference & Language, Reference, Bibliographies
Cover of the book Text, Lies and Cataloging by Jana Brubaker, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jana Brubaker ISBN: 9781476632568
Publisher: McFarland & Company, Inc., Publishers Publication: July 10, 2018
Imprint: Language: English
Author: Jana Brubaker
ISBN: 9781476632568
Publisher: McFarland & Company, Inc., Publishers
Publication: July 10, 2018
Imprint:
Language: English

What do James Frey’s A Million Little Pieces, Margaret B. Jones’ Love and Consequence and Wanda Koolmatrie’s My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey’s fraudulent drug addiction “memoir” was really a semi-fictional novel, Jones’ chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial—and can be difficult when a book’s authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What do James Frey’s A Million Little Pieces, Margaret B. Jones’ Love and Consequence and Wanda Koolmatrie’s My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey’s fraudulent drug addiction “memoir” was really a semi-fictional novel, Jones’ chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial—and can be difficult when a book’s authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem.

More books from McFarland & Company, Inc., Publishers

Cover of the book Rape, Rage and Feminism in Contemporary American Drama by Jana Brubaker
Cover of the book The Lost Colony of Roanoke by Jana Brubaker
Cover of the book Werewolves and Other Shapeshifters in Popular Culture by Jana Brubaker
Cover of the book ABC Family to Freeform TV by Jana Brubaker
Cover of the book Drawn from the Classics by Jana Brubaker
Cover of the book Sowing the Seeds of Victory by Jana Brubaker
Cover of the book Theda Bara, My Mentor by Jana Brubaker
Cover of the book Colonels in Blue--Indiana, Kentucky and Tennessee by Jana Brubaker
Cover of the book The 30th North Carolina Infantry in the Civil War by Jana Brubaker
Cover of the book Joe Namath, Game by Game by Jana Brubaker
Cover of the book Tinclads in the Civil War by Jana Brubaker
Cover of the book The Sports Leadership Playbook by Jana Brubaker
Cover of the book Docufictions by Jana Brubaker
Cover of the book The Becoming of Age by Jana Brubaker
Cover of the book Whoopi Goldberg on Stage and Screen by Jana Brubaker
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy