Textile Collections

Preservation, Access, Curation, and Interpretation in the Digital Age

Business & Finance, Industries & Professions
Cover of the book Textile Collections by Amanda Grace Sikarskie, Rowman & Littlefield Publishers
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Author: Amanda Grace Sikarskie ISBN: 9781442263666
Publisher: Rowman & Littlefield Publishers Publication: March 21, 2016
Imprint: Rowman & Littlefield Publishers Language: English
Author: Amanda Grace Sikarskie
ISBN: 9781442263666
Publisher: Rowman & Littlefield Publishers
Publication: March 21, 2016
Imprint: Rowman & Littlefield Publishers
Language: English

Collections of textiles—historic costume, quilts, needlework samplers, and the like—have benefited greatly from the digital turn in museum and archival work. Both institutional online repositories and collections-based social media sites have fostered unprecedented access to textile collections that have traditionally been marginalized in museums. How can curators, interpreters, and collections managers make best use of these new opportunities?

To answer this question, the author worked with sites including the Great Lakes Quilt Center at the Michigan State University Museum, the Design Center at Philadelphia University, the International Quilt Study Center and Museum at the University of Nebraska-Lincoln, and the WGBH Boston Media Library and Archives, as well as user-curated social sites online such as Tumblr and Polyvore, to create four compelling case studies on the preservation, access, curation, and interpretation of textile objects.

The book explores:

  • The nature of digital material culture.
  • The role of audience participation versus curatorial authority online.
  • Audience-friendly collections metadata and tagging.
  • Visual, rather than text-based, searching and cataloging.
  • The legality of ownership and access of museum collections online.
  • Gender equity in museums and archives.

This book is essential reading for anyone who cares for, collects, exhibits, or interprets historic costume or textile collections, but its broad implications for the future of museum work make it relevant for anyone with an interest in museum work online. And because the focus of this volume is theory and praxis, rather than specific technologies that are likely to become obsolete, it will be staple on your bookshelf for years to come.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Collections of textiles—historic costume, quilts, needlework samplers, and the like—have benefited greatly from the digital turn in museum and archival work. Both institutional online repositories and collections-based social media sites have fostered unprecedented access to textile collections that have traditionally been marginalized in museums. How can curators, interpreters, and collections managers make best use of these new opportunities?

To answer this question, the author worked with sites including the Great Lakes Quilt Center at the Michigan State University Museum, the Design Center at Philadelphia University, the International Quilt Study Center and Museum at the University of Nebraska-Lincoln, and the WGBH Boston Media Library and Archives, as well as user-curated social sites online such as Tumblr and Polyvore, to create four compelling case studies on the preservation, access, curation, and interpretation of textile objects.

The book explores:

This book is essential reading for anyone who cares for, collects, exhibits, or interprets historic costume or textile collections, but its broad implications for the future of museum work make it relevant for anyone with an interest in museum work online. And because the focus of this volume is theory and praxis, rather than specific technologies that are likely to become obsolete, it will be staple on your bookshelf for years to come.

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