The African American Experience in Crime Fiction

A Critical Study

Fiction & Literature, Literary Theory & Criticism, Mystery & Detective Fiction, Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, African-American Studies
Cover of the book The African American Experience in Crime Fiction by Robert E. Crafton, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robert E. Crafton ISBN: 9781476621296
Publisher: McFarland & Company, Inc., Publishers Publication: June 8, 2015
Imprint: Language: English
Author: Robert E. Crafton
ISBN: 9781476621296
Publisher: McFarland & Company, Inc., Publishers
Publication: June 8, 2015
Imprint:
Language: English

An immensely popular genre, crime fiction has only in recent years been engaged significantly by African American authors. Historically, the racist stereotypes often central to crime fiction and the socially conservative nature of the genre presented problems for writing the black experience, and the tropes of justice and restoration of social order have not resonated with authors who saw social justice as a work in progress. Some African American authors did take up the challenge. Pauline Hopkins, Rudolph Fisher and Chester Himes led the way in the first half of the 20th century, followed by Ishmael Reed’s “anti-detective” novels in the 1970s. Since the 1990s, Walter Mosley, Colson Whitehead and Stephen L. Carter have written detective fiction focusing on questions of constitutional law, civil rights, biological and medical issues, education, popular culture, the criminal justice system and matters of social justice. From Hopkins’s Hagar’s Daughter (published in 1901), to Hime’s hardboiled “Harlem Detective” series, to Carter’s patrician world of the black bourgeoisie, these authors provide a means of examining literary and social constructions of the African-American experience. Instructors considering this book for use in a course may request an examination copy here.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

An immensely popular genre, crime fiction has only in recent years been engaged significantly by African American authors. Historically, the racist stereotypes often central to crime fiction and the socially conservative nature of the genre presented problems for writing the black experience, and the tropes of justice and restoration of social order have not resonated with authors who saw social justice as a work in progress. Some African American authors did take up the challenge. Pauline Hopkins, Rudolph Fisher and Chester Himes led the way in the first half of the 20th century, followed by Ishmael Reed’s “anti-detective” novels in the 1970s. Since the 1990s, Walter Mosley, Colson Whitehead and Stephen L. Carter have written detective fiction focusing on questions of constitutional law, civil rights, biological and medical issues, education, popular culture, the criminal justice system and matters of social justice. From Hopkins’s Hagar’s Daughter (published in 1901), to Hime’s hardboiled “Harlem Detective” series, to Carter’s patrician world of the black bourgeoisie, these authors provide a means of examining literary and social constructions of the African-American experience. Instructors considering this book for use in a course may request an examination copy here.

More books from McFarland & Company, Inc., Publishers

Cover of the book Radio Rides the Range by Robert E. Crafton
Cover of the book The Conscious Mind and the Material World by Robert E. Crafton
Cover of the book The Politics of Race, Gender and Sexuality in The Walking Dead by Robert E. Crafton
Cover of the book H.C. Bailey's Reggie Fortune and the Golden Age of Detective Fiction by Robert E. Crafton
Cover of the book "Tearin' Up the Pea Patch" by Robert E. Crafton
Cover of the book The Dreyfus Affair and the Rise of the French Public Intellectual by Robert E. Crafton
Cover of the book Internet Comedy Television Series, 1997-2015 by Robert E. Crafton
Cover of the book Ellison "Tarzan" Brown by Robert E. Crafton
Cover of the book Bill Hartack by Robert E. Crafton
Cover of the book Hollywood Stunt Performers, 1910s-1970s by Robert E. Crafton
Cover of the book Kiffin Rockwell, the Lafayette Escadrille and the Birth of the United States Air Force by Robert E. Crafton
Cover of the book Fumbled Call by Robert E. Crafton
Cover of the book Mastering the Game of Thrones by Robert E. Crafton
Cover of the book Crowd Violence in American Modernist Fiction by Robert E. Crafton
Cover of the book A Badge, a Gun, an Attitude by Robert E. Crafton
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy