The Alternate Nation of Abanindranath Tagore

Nonfiction, Art & Architecture, General Art
Cover of the book The Alternate Nation of Abanindranath Tagore by Debashish Banerji, SAGE Publications
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Author: Debashish Banerji ISBN: 9789352801756
Publisher: SAGE Publications Publication: January 20, 2010
Imprint: Sage Publications Pvt. Ltd Language: English
Author: Debashish Banerji
ISBN: 9789352801756
Publisher: SAGE Publications
Publication: January 20, 2010
Imprint: Sage Publications Pvt. Ltd
Language: English

The Alternate Nation of Abanindranath Tagore provides a revisionary critique of the art of Abanindranath Tagore, the founder of a 'national' school of Indian painting, popularly known as the Bengal School of Art. It categorically argues that the art of Abanindranath, which developed as part of what has been called the Bengal Renaissance in the 19th–20th centuries, was not merely a normalization of nationalist or orientalist principles, but was a hermeneutic negotiation between modernity and community, geared toward the fashioning of an alternate nation, resistant to the stereotyping identity formation of the nation-state. It also establishes that his art—embedded in communitarian practices like kirtan, alpona, pet-naming, syncretism and storytelling through oral allegories—sought a dialogic social identity within the inter-subjective contexts of locality, regionality, nationality and trans-nationality.

This book is well-illustrated with many of Abanindranath's creations. It will be a rich reference work for students, researchers and academics from various subject areas such as arts and humanities, sociology and cultural studies, and would be precious for artists, art collectors, connoisseurs, museums and art galleries.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Alternate Nation of Abanindranath Tagore provides a revisionary critique of the art of Abanindranath Tagore, the founder of a 'national' school of Indian painting, popularly known as the Bengal School of Art. It categorically argues that the art of Abanindranath, which developed as part of what has been called the Bengal Renaissance in the 19th–20th centuries, was not merely a normalization of nationalist or orientalist principles, but was a hermeneutic negotiation between modernity and community, geared toward the fashioning of an alternate nation, resistant to the stereotyping identity formation of the nation-state. It also establishes that his art—embedded in communitarian practices like kirtan, alpona, pet-naming, syncretism and storytelling through oral allegories—sought a dialogic social identity within the inter-subjective contexts of locality, regionality, nationality and trans-nationality.

This book is well-illustrated with many of Abanindranath's creations. It will be a rich reference work for students, researchers and academics from various subject areas such as arts and humanities, sociology and cultural studies, and would be precious for artists, art collectors, connoisseurs, museums and art galleries.

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