The Anarchist Cinema

Nonfiction, Entertainment, Film, Direction & Production, Performing Arts, Art & Architecture, General Art, Art Technique
Cover of the book The Anarchist Cinema by James Newton, Intellect Books Ltd
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Author: James Newton ISBN: 9781789380057
Publisher: Intellect Books Ltd Publication: March 1, 2019
Imprint: Intellect Language: English
Author: James Newton
ISBN: 9781789380057
Publisher: Intellect Books Ltd
Publication: March 1, 2019
Imprint: Intellect
Language: English

The Anarchist Cinema examines the complex relationships that exist between anarchist theory and film. It identifies subversive undercurrents in cinema, and uses anarchist political theory as an interpretive framework to analyse filmmakers, genres and the notion of cinema as an anarchic space. The book focuses on three key areas. Firstly, it considers the notion that cinema is an inherently subversive space, based around fears of unruly (predominantly working class) audiences. Secondly, it establishes criteria for an 'anarchist' film by looking at a range of characteristics that express anarchist philosophy featured in a number of popular movies. In doing so, it demonstrates that the 'anarchic' in film is not hidden in obscure corners of cinematic culture, and instead is a theme that has traversed arthouse, popular and underground films. Thirdly, the book examines the place of underground and DIY filmmaking within the wider context of anarchist cinema.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Anarchist Cinema examines the complex relationships that exist between anarchist theory and film. It identifies subversive undercurrents in cinema, and uses anarchist political theory as an interpretive framework to analyse filmmakers, genres and the notion of cinema as an anarchic space. The book focuses on three key areas. Firstly, it considers the notion that cinema is an inherently subversive space, based around fears of unruly (predominantly working class) audiences. Secondly, it establishes criteria for an 'anarchist' film by looking at a range of characteristics that express anarchist philosophy featured in a number of popular movies. In doing so, it demonstrates that the 'anarchic' in film is not hidden in obscure corners of cinematic culture, and instead is a theme that has traversed arthouse, popular and underground films. Thirdly, the book examines the place of underground and DIY filmmaking within the wider context of anarchist cinema.

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