The arc and the machine

Narrative and new media

Nonfiction, Social & Cultural Studies, Political Science, Government, Public Policy, Social Science, Cultural Studies, Popular Culture
Cover of the book The arc and the machine by Caroline Bassett, Manchester University Press
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Author: Caroline Bassett ISBN: 9781847796493
Publisher: Manchester University Press Publication: July 19, 2013
Imprint: Manchester University Press Language: English
Author: Caroline Bassett
ISBN: 9781847796493
Publisher: Manchester University Press
Publication: July 19, 2013
Imprint: Manchester University Press
Language: English

The Arc and the machine is a timely and original defence of narrative in an age of information. Stressing interpretation and experience alongside affect and sensation it convincingly argues that narrative is key to contemporary forms of cultural production and to the practice of contemporary life. Re-appraising the prospects for narrative in the digital age, it insists on the centrality of narrative to informational culture and provokes a critical re-appraisal of how innovations in information technology as a material cultural form can be understood and assessed.

The book offers a careful exploration of narrative theory, a sophisticated critique of techno-cultural writing, and a series of tightly focused case studies. All of which point the way to a restoration of a critical - rather than celebratory approaches - to new media. The scope and range of this book is broad, its argumentation careful and exacting, and its conclusions exciting.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Arc and the machine is a timely and original defence of narrative in an age of information. Stressing interpretation and experience alongside affect and sensation it convincingly argues that narrative is key to contemporary forms of cultural production and to the practice of contemporary life. Re-appraising the prospects for narrative in the digital age, it insists on the centrality of narrative to informational culture and provokes a critical re-appraisal of how innovations in information technology as a material cultural form can be understood and assessed.

The book offers a careful exploration of narrative theory, a sophisticated critique of techno-cultural writing, and a series of tightly focused case studies. All of which point the way to a restoration of a critical - rather than celebratory approaches - to new media. The scope and range of this book is broad, its argumentation careful and exacting, and its conclusions exciting.

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