The Baroque in Architectural Culture, 1880-1980

Nonfiction, Art & Architecture, Architecture, History
Cover of the book The Baroque in Architectural Culture, 1880-1980 by Andrew Leach, John Macarthur, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Andrew Leach, John Macarthur ISBN: 9781317040590
Publisher: Taylor and Francis Publication: March 9, 2016
Imprint: Routledge Language: English
Author: Andrew Leach, John Macarthur
ISBN: 9781317040590
Publisher: Taylor and Francis
Publication: March 9, 2016
Imprint: Routledge
Language: English

In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin’s Monument to the Third International and Borromini’s dome for Sant’Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant’Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin’s Monument to the Third International and Borromini’s dome for Sant’Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant’Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.

More books from Taylor and Francis

Cover of the book Scotland, CEMA and the Arts Council, 1919-1967 by Andrew Leach, John Macarthur
Cover of the book Political Frontiers, Ethnic Boundaries and Human Geographies in Chinese History by Andrew Leach, John Macarthur
Cover of the book Ignazio Silone in Exile by Andrew Leach, John Macarthur
Cover of the book Magister Jacobus de Ispania, Author of the Speculum musicae by Andrew Leach, John Macarthur
Cover of the book Partition and Quantity by Andrew Leach, John Macarthur
Cover of the book Healthcare Robots by Andrew Leach, John Macarthur
Cover of the book Teaching And Its Predicaments by Andrew Leach, John Macarthur
Cover of the book Social Theory as a Vocation by Andrew Leach, John Macarthur
Cover of the book An Economic History of Liberal Italy (Routledge Revivals) by Andrew Leach, John Macarthur
Cover of the book Urban Planning’s Philosophical Entanglements by Andrew Leach, John Macarthur
Cover of the book Google Scholar and More by Andrew Leach, John Macarthur
Cover of the book Vision 2020 by Andrew Leach, John Macarthur
Cover of the book Risk by Andrew Leach, John Macarthur
Cover of the book School Violence by Andrew Leach, John Macarthur
Cover of the book Hrant Dink by Andrew Leach, John Macarthur
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy