The Birth of a Movement

How Birth of a Nation Ignited the Battle for Civil Rights

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, African-American Studies, History, Americas, United States, 20th Century
Cover of the book The Birth of a Movement by Dick Lehr, PublicAffairs
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Author: Dick Lehr ISBN: 9781610398244
Publisher: PublicAffairs Publication: January 10, 2017
Imprint: PublicAffairs Language: English
Author: Dick Lehr
ISBN: 9781610398244
Publisher: PublicAffairs
Publication: January 10, 2017
Imprint: PublicAffairs
Language: English

In 1915, two men-one a journalist agitator, the other a technically brilliant filmmaker-incited a public confrontation that roiled America, pitting black against white, Hollywood against Boston, and free speech against civil rights.

Monroe Trotter and D. W. Griffith were fighting over a film that dramatized the Civil War and Reconstruction in a post-Confederate South. Griffith's film, The Birth of a Nation, included actors in blackface, heroic portraits of Knights of the Ku Klux Klan, and a depiction of Lincoln's assassination. Freed slaves were portrayed as villainous, vengeful, slovenly, and dangerous to the sanctity of American values. It was tremendously successful, eventually seen by 25 million Americans. But violent protests against the film flared up across the country.

Almost fifty years earlier, Monroe's father, James, was a sergeant in an all-black Union regiment that marched into Charleston, South Carolina, just as the Kentucky cavalry-including Roaring Jack Griffith, D. W.'s father-fled for their lives. Monroe Trotter's titanic crusade to have the film censored became a blueprint for dissent during the 1950s and 1960s. This is the fiery story of a revolutionary moment for mass media and the nascent civil rights movement, and the men clashing over the cultural and political soul of a still-young America standing at the cusp of its greatest days.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In 1915, two men-one a journalist agitator, the other a technically brilliant filmmaker-incited a public confrontation that roiled America, pitting black against white, Hollywood against Boston, and free speech against civil rights.

Monroe Trotter and D. W. Griffith were fighting over a film that dramatized the Civil War and Reconstruction in a post-Confederate South. Griffith's film, The Birth of a Nation, included actors in blackface, heroic portraits of Knights of the Ku Klux Klan, and a depiction of Lincoln's assassination. Freed slaves were portrayed as villainous, vengeful, slovenly, and dangerous to the sanctity of American values. It was tremendously successful, eventually seen by 25 million Americans. But violent protests against the film flared up across the country.

Almost fifty years earlier, Monroe's father, James, was a sergeant in an all-black Union regiment that marched into Charleston, South Carolina, just as the Kentucky cavalry-including Roaring Jack Griffith, D. W.'s father-fled for their lives. Monroe Trotter's titanic crusade to have the film censored became a blueprint for dissent during the 1950s and 1960s. This is the fiery story of a revolutionary moment for mass media and the nascent civil rights movement, and the men clashing over the cultural and political soul of a still-young America standing at the cusp of its greatest days.

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