The Calendar in Revolutionary France

Perceptions of Time in Literature, Culture, Politics

Fiction & Literature, Literary Theory & Criticism, European, Nonfiction, History
Cover of the book The Calendar in Revolutionary France by Sanja Perovic, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sanja Perovic ISBN: 9781139540452
Publisher: Cambridge University Press Publication: August 27, 2012
Imprint: Cambridge University Press Language: English
Author: Sanja Perovic
ISBN: 9781139540452
Publisher: Cambridge University Press
Publication: August 27, 2012
Imprint: Cambridge University Press
Language: English

One of the most unusual decisions of the leaders of the French Revolution - and one that had immense practical as well as symbolic impact - was to abandon customarily-accepted ways of calculating date and time to create a Revolutionary calendar. The experiment lasted from 1793 to 1805, and prompted all sorts of questions about the nature of time, ways of measuring it and its relationship to individual, community, communication and creative life. This study traces the course of the Revolutionary Calendar, from its cultural origins to its decline and fall. Tracing the parallel stories of the calendar and the literary genius of its creator, Sylvain Maréchal, from the Enlightenment to the Napoleonic era, Sanja Perovic reconsiders the status of the French Revolution as the purported 'origin' of modernity, the modern experience of time, and the relationship between the imagination and political action.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

One of the most unusual decisions of the leaders of the French Revolution - and one that had immense practical as well as symbolic impact - was to abandon customarily-accepted ways of calculating date and time to create a Revolutionary calendar. The experiment lasted from 1793 to 1805, and prompted all sorts of questions about the nature of time, ways of measuring it and its relationship to individual, community, communication and creative life. This study traces the course of the Revolutionary Calendar, from its cultural origins to its decline and fall. Tracing the parallel stories of the calendar and the literary genius of its creator, Sylvain Maréchal, from the Enlightenment to the Napoleonic era, Sanja Perovic reconsiders the status of the French Revolution as the purported 'origin' of modernity, the modern experience of time, and the relationship between the imagination and political action.

More books from Cambridge University Press

Cover of the book Diaspora Nationalism and Jewish Identity in Habsburg Galicia by Sanja Perovic
Cover of the book American Literature in Transition, 1990–2000 by Sanja Perovic
Cover of the book The Cambridge History of the Graphic Novel by Sanja Perovic
Cover of the book Social Theory of International Politics by Sanja Perovic
Cover of the book European Colonialism since 1700 by Sanja Perovic
Cover of the book Making Democratic Governance Work by Sanja Perovic
Cover of the book Literacy in Early Childhood and Primary Education by Sanja Perovic
Cover of the book The Cambridge Handbook of Psychology and Economic Behaviour by Sanja Perovic
Cover of the book Core Topics in Cardiac Anesthesia by Sanja Perovic
Cover of the book FRCR Part 1 Anatomy Mock Examinations by Sanja Perovic
Cover of the book Identities in Transition by Sanja Perovic
Cover of the book The Physics of Ettore Majorana by Sanja Perovic
Cover of the book The Cambridge Companion to Thomas Reid by Sanja Perovic
Cover of the book Violence and the Civilising Process in Cambodia by Sanja Perovic
Cover of the book Wave Forces on Offshore Structures by Sanja Perovic
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy