The Cambridge Companion to Mahler

Nonfiction, Entertainment, Music
Cover of the book The Cambridge Companion to Mahler by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781139817172
Publisher: Cambridge University Press Publication: December 13, 2007
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781139817172
Publisher: Cambridge University Press
Publication: December 13, 2007
Imprint: Cambridge University Press
Language: English

In the years approaching the centenary of Mahler's death, this book provides both summation of, and starting point for, an assessment and reassessment of the composer's output and creative activity. Authored by a collection of leading specialists in Mahler scholarship, its opening chapters place the composer in socio-political and cultural contexts, and discuss his work in light of developments in the aesthetics of musical meaning. Part II examines from a variety of analytical, interpretative and critical standpoints the complete range of his output, from early student works and unfinished fragments to the sketches and performing versions of the Tenth Symphony. Part III evaluates Mahler's role as interpreter of his own and other composers' works during his lifelong career as operatic and orchestral conductor. Part IV addresses Mahler's fluctuating reception history from scholarly, journalistic, creative, public and commercial perspectives, with special attention being paid to his compositional legacy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the years approaching the centenary of Mahler's death, this book provides both summation of, and starting point for, an assessment and reassessment of the composer's output and creative activity. Authored by a collection of leading specialists in Mahler scholarship, its opening chapters place the composer in socio-political and cultural contexts, and discuss his work in light of developments in the aesthetics of musical meaning. Part II examines from a variety of analytical, interpretative and critical standpoints the complete range of his output, from early student works and unfinished fragments to the sketches and performing versions of the Tenth Symphony. Part III evaluates Mahler's role as interpreter of his own and other composers' works during his lifelong career as operatic and orchestral conductor. Part IV addresses Mahler's fluctuating reception history from scholarly, journalistic, creative, public and commercial perspectives, with special attention being paid to his compositional legacy.

More books from Cambridge University Press

Cover of the book Russia and the West from Alexander to Putin by
Cover of the book Is Bipartisanship Dead? by
Cover of the book The Social Psychology of Perceiving Others Accurately by
Cover of the book The Global Body Market by
Cover of the book Greek and Roman Animal Sacrifice by
Cover of the book The Cambridge History of Postmodern Literature by
Cover of the book Membrane Filtration by
Cover of the book Research Methods for Engineers by
Cover of the book Soay Sheep by
Cover of the book Justice and Reciprocity in Aristotle's Political Philosophy by
Cover of the book Governing Digitally Integrated Genetic Resources, Data, and Literature by
Cover of the book Politeness, Impoliteness and Ritual by
Cover of the book The Cambridge French-English Thesaurus by
Cover of the book Ethnic Minorities and Politics in Post-Socialist Southeastern Europe by
Cover of the book Statius: Silvae Book II by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy