The Cambridge History of Fifteenth-Century Music

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Classical
Cover of the book The Cambridge History of Fifteenth-Century Music by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781316287637
Publisher: Cambridge University Press Publication: July 16, 2015
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781316287637
Publisher: Cambridge University Press
Publication: July 16, 2015
Imprint: Cambridge University Press
Language: English
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

More books from Cambridge University Press

Cover of the book The Writing Culture of Ordinary People in Europe, c.1860–1920 by
Cover of the book The Cambridge Companion to English Literature, 1740–1830 by
Cover of the book Plato: Phaedrus by
Cover of the book The Cambridge Companion to the City in Literature by
Cover of the book The Cambridge Handbook of Bilingualism by
Cover of the book Thermodynamics with Chemical Engineering Applications by
Cover of the book Identity, Community, and Learning Lives in the Digital Age by
Cover of the book Death and Mortality in Contemporary Philosophy by
Cover of the book Thermal Physics by
Cover of the book Moral Luck by
Cover of the book God's Presence by
Cover of the book Radio and the Politics of Sound in Interwar France, 1921–1939 by
Cover of the book Resisting the European Court of Justice by
Cover of the book An Introduction to EU Competition Law by
Cover of the book International Economics and Business by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy