The Cambridge Introduction to Performance Theory

Fiction & Literature, Drama, Nonfiction, Entertainment, Performing Arts
Cover of the book The Cambridge Introduction to Performance Theory by Simon Shepherd, Cambridge University Press
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Author: Simon Shepherd ISBN: 9781316545140
Publisher: Cambridge University Press Publication: March 15, 2016
Imprint: Cambridge University Press Language: English
Author: Simon Shepherd
ISBN: 9781316545140
Publisher: Cambridge University Press
Publication: March 15, 2016
Imprint: Cambridge University Press
Language: English

What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a fresh approach to figures including Erving Goffman and Richard Schechner and ideas such as radical art practice, performance studies, radical scenarism and performativity. Essential reading for students, scholars and enthusiasts, this engaging account travels from universities into the streets and back again to examine performance in the context of political activists and teachers, countercultural experiments and feminist challenges, and ceremonies and demonstrations.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a fresh approach to figures including Erving Goffman and Richard Schechner and ideas such as radical art practice, performance studies, radical scenarism and performativity. Essential reading for students, scholars and enthusiasts, this engaging account travels from universities into the streets and back again to examine performance in the context of political activists and teachers, countercultural experiments and feminist challenges, and ceremonies and demonstrations.

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