The Captain Asks for a Show of Hands

Poems

Fiction & Literature, Poetry
Cover of the book The Captain Asks for a Show of Hands by Nick Flynn, Graywolf Press
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Author: Nick Flynn ISBN: 9781555979324
Publisher: Graywolf Press Publication: June 2, 2015
Imprint: Graywolf Press Language: English
Author: Nick Flynn
ISBN: 9781555979324
Publisher: Graywolf Press
Publication: June 2, 2015
Imprint: Graywolf Press
Language: English

New poetry by the acclaimed writer Nick Flynn, author of Another Bullshit Night in Suck City and The Ticking Is the Bomb

electrocution, no—the boy stood in the hot-hot room
stammering I did stammering I did stammering I
did stammering I did stammering everything you say I did
I did.
—from "Fire"

The Captain Asks for a Show of Hands is Nick Flynn's first new poetry collection in nearly a decade. What begins as a meditation on love and the body soon breaks down into a collage of voices culled from media reports, childhood memories, testimonies from Abu Ghraib detainees, passages from documentary films, overheard conversations, and scraps of poems and song, only to reassemble with a gathering sonic force. It's as if all the noise that fills our days were a storm, yet at the center is a quiet place, but to get there you must first pass through the storm, with eyes wide open, singing. Each poem becomes a hallucinatory, shifting experience, through jump cut, lyric persuasion, and deadpan utterance. This is an emotional, resilient response to some of the essential issues of our day by one of America's riskiest and most innovative writers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

New poetry by the acclaimed writer Nick Flynn, author of Another Bullshit Night in Suck City and The Ticking Is the Bomb

electrocution, no—the boy stood in the hot-hot room
stammering I did stammering I did stammering I
did stammering I did stammering everything you say I did
I did.
—from "Fire"

The Captain Asks for a Show of Hands is Nick Flynn's first new poetry collection in nearly a decade. What begins as a meditation on love and the body soon breaks down into a collage of voices culled from media reports, childhood memories, testimonies from Abu Ghraib detainees, passages from documentary films, overheard conversations, and scraps of poems and song, only to reassemble with a gathering sonic force. It's as if all the noise that fills our days were a storm, yet at the center is a quiet place, but to get there you must first pass through the storm, with eyes wide open, singing. Each poem becomes a hallucinatory, shifting experience, through jump cut, lyric persuasion, and deadpan utterance. This is an emotional, resilient response to some of the essential issues of our day by one of America's riskiest and most innovative writers.

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