The Caribbean Novel since 1945

Cultural Practice, Form, and the Nation-State

Fiction & Literature, Literary Theory & Criticism, Central & South American, Nonfiction, History, Americas, Caribbean & West Indies
Cover of the book The Caribbean Novel since 1945 by Michael Niblett, University Press of Mississippi
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michael Niblett ISBN: 9781617032486
Publisher: University Press of Mississippi Publication: February 16, 2012
Imprint: University Press of Mississippi Language: English
Author: Michael Niblett
ISBN: 9781617032486
Publisher: University Press of Mississippi
Publication: February 16, 2012
Imprint: University Press of Mississippi
Language: English

The Caribbean Novel Since 1945 offers a comparative analysis of fiction from across the pan-Caribbean, exploring the relationship between literary form, cultural practice, and the nation-state. Engaging with the historical and political impact of capitalist imperialism, decolonization, class struggle, ethnic conflict, and gender relations, it considers the ways in which Caribbean authors have sought to rethink and re-narrate the traumatic past and often problematic 'postcolonial' present of the region's peoples. It pays particular attention to the role cultural practices such as stickfighting and Carnival, as well as religious rituals and beliefs like Vodou and Myal, have played in efforts to reshape the novel form. In so doing, it provides an original perspective on the importance of these practices, with their emphasis on bodily movement, to the development of new philosophies of history.

Beginning in the post-WWII period, when optimism surrounding the possibility of social and political change was at a peak, The Caribbean Novel Since 1945 interrogates the trajectories of various national projects through to the present. It explores how the textual histories of common motifs in Caribbean writing have functioned to encode the fluctuating fortunes of different political dispensations. The scope of the analysis is varied and comprehensive, covering both critically acclaimed and lesser-known authors from the Anglophone, Francophone, and Hispanophone traditions. These include Jacques Roumain, Sam Selvon, Marie Chauvet, Luis Rafael Sánchez, Earl Lovelace, Patrick Chamoiseau, Erna Brodber, Wilson Harris, Shani Mootoo, Oonya Kempadoo, Ernest Moutoussamy, and Pedro Juan Gutiérrez. Mixing detailed analysis of key texts with wider surveys of significant trends, this book emphasizes the continuing significance of representations of the nation-state to literary articulations of resistance to the imperialist logic of global capital.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Caribbean Novel Since 1945 offers a comparative analysis of fiction from across the pan-Caribbean, exploring the relationship between literary form, cultural practice, and the nation-state. Engaging with the historical and political impact of capitalist imperialism, decolonization, class struggle, ethnic conflict, and gender relations, it considers the ways in which Caribbean authors have sought to rethink and re-narrate the traumatic past and often problematic 'postcolonial' present of the region's peoples. It pays particular attention to the role cultural practices such as stickfighting and Carnival, as well as religious rituals and beliefs like Vodou and Myal, have played in efforts to reshape the novel form. In so doing, it provides an original perspective on the importance of these practices, with their emphasis on bodily movement, to the development of new philosophies of history.

Beginning in the post-WWII period, when optimism surrounding the possibility of social and political change was at a peak, The Caribbean Novel Since 1945 interrogates the trajectories of various national projects through to the present. It explores how the textual histories of common motifs in Caribbean writing have functioned to encode the fluctuating fortunes of different political dispensations. The scope of the analysis is varied and comprehensive, covering both critically acclaimed and lesser-known authors from the Anglophone, Francophone, and Hispanophone traditions. These include Jacques Roumain, Sam Selvon, Marie Chauvet, Luis Rafael Sánchez, Earl Lovelace, Patrick Chamoiseau, Erna Brodber, Wilson Harris, Shani Mootoo, Oonya Kempadoo, Ernest Moutoussamy, and Pedro Juan Gutiérrez. Mixing detailed analysis of key texts with wider surveys of significant trends, this book emphasizes the continuing significance of representations of the nation-state to literary articulations of resistance to the imperialist logic of global capital.

More books from University Press of Mississippi

Cover of the book Conversations with Will D. Campbell by Michael Niblett
Cover of the book Boys Love Manga and Beyond by Michael Niblett
Cover of the book Quincy Jones by Michael Niblett
Cover of the book Reminiscences of an Active Life by Michael Niblett
Cover of the book Toons in Toyland by Michael Niblett
Cover of the book Blues Traveling by Michael Niblett
Cover of the book Marilyn Monroe by Michael Niblett
Cover of the book The New Territory by Michael Niblett
Cover of the book La Salle and His Legacy by Michael Niblett
Cover of the book A Scottsboro Case in Mississippi by Michael Niblett
Cover of the book Comics Art in China by Michael Niblett
Cover of the book Acting My Face by Michael Niblett
Cover of the book Mothers in Children's and Young Adult Literature by Michael Niblett
Cover of the book Campus Traditions by Michael Niblett
Cover of the book He Stopped Loving Her Today by Michael Niblett
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy