The changing spaces of television acting

From studio realism to location realism in BBC television drama

Fiction & Literature, Drama, Nonfiction, Entertainment, Social & Cultural Studies, Social Science
Cover of the book The changing spaces of television acting by Richard Hewett, Manchester University Press
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Author: Richard Hewett ISBN: 9781526115539
Publisher: Manchester University Press Publication: September 30, 2017
Imprint: Manchester University Press Language: English
Author: Richard Hewett
ISBN: 9781526115539
Publisher: Manchester University Press
Publication: September 30, 2017
Imprint: Manchester University Press
Language: English

This title is an historical overview and a then-and-now comparison of performing for British television drama. By examining changing acting styles from distinct eras of television production – studio realism and location realism - it makes a unique contribution to both television and performance studies, unpacking the various determinants that have combined to influence how performers work in the medium.

Comparing the original versions of The Quatermass Experiment (BBC, 1953), Doctor Who (BBC, 1963–89) and Survivors (BBC, 1975–77) with their respective modern-day re-makes, the book unpacks the developments that have resulted from the shift from multi-camera studio to single camera location production. Textual analysis is combined with extensive archive research into production process and reception, alongside interviews with numerous actors and production personnel from more than sixty years of television production.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This title is an historical overview and a then-and-now comparison of performing for British television drama. By examining changing acting styles from distinct eras of television production – studio realism and location realism - it makes a unique contribution to both television and performance studies, unpacking the various determinants that have combined to influence how performers work in the medium.

Comparing the original versions of The Quatermass Experiment (BBC, 1953), Doctor Who (BBC, 1963–89) and Survivors (BBC, 1975–77) with their respective modern-day re-makes, the book unpacks the developments that have resulted from the shift from multi-camera studio to single camera location production. Textual analysis is combined with extensive archive research into production process and reception, alongside interviews with numerous actors and production personnel from more than sixty years of television production.

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