The Cinema of Me

The Self and Subjectivity in First Person Documentary

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Cinema of Me by , Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780231850162
Publisher: Columbia University Press Publication: May 29, 2012
Imprint: WallFlower Press Language: English
Author:
ISBN: 9780231850162
Publisher: Columbia University Press
Publication: May 29, 2012
Imprint: WallFlower Press
Language: English

When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

More books from Columbia University Press

Cover of the book Investment: A History by
Cover of the book Human Kindness and the Smell of Warm Croissants by
Cover of the book Pulitzer's Gold by
Cover of the book The Cinema of Steven Soderbergh by
Cover of the book An Ethics for Today by
Cover of the book The Lives of Erich Fromm by
Cover of the book Retribution by
Cover of the book The Undiscovered Country by
Cover of the book Contentious Activism and Inter-Korean Relations by
Cover of the book Gangs and Society by
Cover of the book The Columbia Guide to Religion in American History by
Cover of the book The Israeli Secret Services and the Struggle Against Terrorism by
Cover of the book The Global and the Intimate by
Cover of the book No Return Address by
Cover of the book Dying for Rights by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy