The Cinema of Me

The Self and Subjectivity in First Person Documentary

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Cinema of Me by , Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780231850162
Publisher: Columbia University Press Publication: May 29, 2012
Imprint: WallFlower Press Language: English
Author:
ISBN: 9780231850162
Publisher: Columbia University Press
Publication: May 29, 2012
Imprint: WallFlower Press
Language: English

When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

More books from Columbia University Press

Cover of the book Supply-Side Sustainability by
Cover of the book Uptown Conversation by
Cover of the book A Natural History of the Common Law by
Cover of the book Bomb Scare by
Cover of the book Crowds and Democracy by
Cover of the book The End of Progress by
Cover of the book Modernism and the Architecture of Private Life by
Cover of the book Strong Society, Smart State by
Cover of the book The Politics of Being by
Cover of the book The Dawn That Never Comes by
Cover of the book Deep Red by
Cover of the book Wiring the World by
Cover of the book Families of Virtue by
Cover of the book Bring Me the Head of Alfredo Garcia by
Cover of the book The Use and Abuse of Cinema by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy