The Cinema of Michael Mann

Vice and Vindication

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Cinema of Michael Mann by Jonathan Rayner, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jonathan Rayner ISBN: 9780231850490
Publisher: Columbia University Press Publication: September 3, 2013
Imprint: WallFlower Press Language: English
Author: Jonathan Rayner
ISBN: 9780231850490
Publisher: Columbia University Press
Publication: September 3, 2013
Imprint: WallFlower Press
Language: English

Michael Mann is one of the most important American filmmakers of the past forty years. His films exhibit the existential concerns of art cinema, articulated through a conspicuous and recognizable visual style and yet integrated within classical Hollywood narrative and genre frameworks. Since his beginnings as a screenwriter in the 1970s, Mann has become a key figure within contemporary American popular culture as writer, director, and producer for film and television. This volume offers a detailed study of Mann's feature films, from The Jericho Mile (1979) to Public Enemies (2009), with consideration also being given to parallels in the production, style, and characterization in his television work. It explores Mann's relationship with classical genres, his thematic concentration on issues of morality and masculinity, his film adaptations from literature, and the development and significance of his trademark visual style within modern American cinema.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Michael Mann is one of the most important American filmmakers of the past forty years. His films exhibit the existential concerns of art cinema, articulated through a conspicuous and recognizable visual style and yet integrated within classical Hollywood narrative and genre frameworks. Since his beginnings as a screenwriter in the 1970s, Mann has become a key figure within contemporary American popular culture as writer, director, and producer for film and television. This volume offers a detailed study of Mann's feature films, from The Jericho Mile (1979) to Public Enemies (2009), with consideration also being given to parallels in the production, style, and characterization in his television work. It explores Mann's relationship with classical genres, his thematic concentration on issues of morality and masculinity, his film adaptations from literature, and the development and significance of his trademark visual style within modern American cinema.

More books from Columbia University Press

Cover of the book Endangered Economies by Jonathan Rayner
Cover of the book Ibn Sina’s Remarks and Admonitions: Physics and Metaphysics by Jonathan Rayner
Cover of the book The Japan–South Korea Identity Clash by Jonathan Rayner
Cover of the book A New German Idealism by Jonathan Rayner
Cover of the book Strangers in the Ethnic Homeland by Jonathan Rayner
Cover of the book A Dharma Reader by Jonathan Rayner
Cover of the book Democracy and the Political Unconscious by Jonathan Rayner
Cover of the book The Cinema of Béla Tarr by Jonathan Rayner
Cover of the book Describing Species by Jonathan Rayner
Cover of the book A Philosophical Retrospective by Jonathan Rayner
Cover of the book The Extinct Scene by Jonathan Rayner
Cover of the book Big Money Thinks Small by Jonathan Rayner
Cover of the book Inside Terrorism by Jonathan Rayner
Cover of the book Slow Food by Jonathan Rayner
Cover of the book The Invention of International Relations Theory by Jonathan Rayner
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy