The Conceptual Metaphor

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book The Conceptual Metaphor by Andrea-Anja Gschaider, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Andrea-Anja Gschaider ISBN: 9783638518840
Publisher: GRIN Publishing Publication: July 9, 2006
Imprint: GRIN Publishing Language: English
Author: Andrea-Anja Gschaider
ISBN: 9783638518840
Publisher: GRIN Publishing
Publication: July 9, 2006
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2002 in the subject English Language and Literature Studies - Linguistics, grade: 1,3, Ruhr-University of Bochum, course: Hauptseminar Linguistik, 18 entries in the bibliography, language: English, abstract: Classical theorists since Aristotle have referred to metaphor as an instance of novel poetic language in which words likemother, night,andgoare not used in their normal everyday meaning. Metaphor was considered as a matter of language, not a matter of thought. It was assumed that in everyday language, there was no metaphor, and that metaphor used mechanisms which were not used in conventional language. This theory was taken as a definition. The wordmetaphorwas defined as a linguistic expression in which one or more words for a concept are used outside of the conventional meaning to express a similar concept. From a linguistic point of view, one has to ask what these generalizations governing the linguistic expression are. Trying to answer this question, the classical theory turns out to be false: the generalizations are not in language, but in thought; they can be seen as general mappings across conceptual domains. These conceptual mappings do not only apply to poetic expressions but also in everyday language. As a result, metaphor is a central aspect of ordinary language semantics. Everyday metaphor consists of a large number of cross-domain mappings which are used in novel metaphor. So when studying literary metaphor, it is an extension of the study of everyday metaphor. This paper will also show that the idea of metaphor is not limited to linguistics, but also concerns many areas of life and how we understand the world.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2002 in the subject English Language and Literature Studies - Linguistics, grade: 1,3, Ruhr-University of Bochum, course: Hauptseminar Linguistik, 18 entries in the bibliography, language: English, abstract: Classical theorists since Aristotle have referred to metaphor as an instance of novel poetic language in which words likemother, night,andgoare not used in their normal everyday meaning. Metaphor was considered as a matter of language, not a matter of thought. It was assumed that in everyday language, there was no metaphor, and that metaphor used mechanisms which were not used in conventional language. This theory was taken as a definition. The wordmetaphorwas defined as a linguistic expression in which one or more words for a concept are used outside of the conventional meaning to express a similar concept. From a linguistic point of view, one has to ask what these generalizations governing the linguistic expression are. Trying to answer this question, the classical theory turns out to be false: the generalizations are not in language, but in thought; they can be seen as general mappings across conceptual domains. These conceptual mappings do not only apply to poetic expressions but also in everyday language. As a result, metaphor is a central aspect of ordinary language semantics. Everyday metaphor consists of a large number of cross-domain mappings which are used in novel metaphor. So when studying literary metaphor, it is an extension of the study of everyday metaphor. This paper will also show that the idea of metaphor is not limited to linguistics, but also concerns many areas of life and how we understand the world.

More books from GRIN Publishing

Cover of the book Both Marx and Weber articulated theories of social change, and advanced explanations for the origin of capitalism. Who was right? Or can the two be synthesised? by Andrea-Anja Gschaider
Cover of the book Online advertising as transnational communication by Andrea-Anja Gschaider
Cover of the book Poetic Features of Punk Rock Lyrics by Andrea-Anja Gschaider
Cover of the book The character of Shylock in 'The Merchant of Venice' by Andrea-Anja Gschaider
Cover of the book The Role of Currency Futures in Risk Management by Andrea-Anja Gschaider
Cover of the book The Representation of Gender and Sexuality in 'Ulysses' by Andrea-Anja Gschaider
Cover of the book The linguistic situation in Zimbabwe by Andrea-Anja Gschaider
Cover of the book TPACK for Pre-service Science and Mathematics Teachers by Andrea-Anja Gschaider
Cover of the book Should the High Court or the Parliament determine the rights and freedoms of Australians by Andrea-Anja Gschaider
Cover of the book Politeness. A comparison of two pragmatic approaches towards polite acting in speech by Andrea-Anja Gschaider
Cover of the book Between reality and myth by Andrea-Anja Gschaider
Cover of the book Utilitarianism in Victorian England (with a special emphasis on Bentham and Mill) by Andrea-Anja Gschaider
Cover of the book Analysis and improvement of the setup time reduction effect, the order strategies and the operating curves of manufacturing operations by Andrea-Anja Gschaider
Cover of the book Application of Watzlawick's axioms to conversation by Andrea-Anja Gschaider
Cover of the book The Powers of Articulation by Andrea-Anja Gschaider
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy