The Construction of Tragedy
Hubris
Nonfiction, Reference & Language, Education & Teaching, Kids, Fiction, Action/Adventure, Teen
| Author: | Dr. Mary Anneeta Mann | ISBN: | 9781414016276 |
| Publisher: | AuthorHouse | Publication: | December 23, 2003 |
| Imprint: | AuthorHouse | Language: | English |
| Author: | Dr. Mary Anneeta Mann |
| ISBN: | 9781414016276 |
| Publisher: | AuthorHouse |
| Publication: | December 23, 2003 |
| Imprint: | AuthorHouse |
| Language: | English |
A beacon for the 21st century is an understanding ofthe Science of Being Altogether as practiced by the great tragic dramatists.
An integral part of the art form of tragedy is deemed to be the dramatists adherence to thephilosophy of the Science of Being Altogether where the artist becomes intuitive scientist in creating a microcosm of the universe itself.Six plays Antigone, Hamlet, King Lear, Murder in the Cathedral, A Man for All Seasons, The Condemned of Altona are analyzed in similar format
in HUBRIS, The Construction of Tragedy.
Societies and forms of government may vary but humanity itself does not change significantly.Antigone, Hamlet and Albany in King Lear are deeply aware of mortals cosmic connection and the responsibilities resultant from it.
Hubris in human activity such as domination, exemplified by Creon in Antigone, andmartyrdom extolled by More in A Man for All Seasons and Thomas in Murder in the Cathedral can be understood to be scientifically untenable and destined to be chastened or broken by the universal life force. The Condemned of Altona addresses the 20th century disconnect of human morality from cosmic harmony.
At the end of each plays analysis, a section is devoted to its contemporary relevance.Contemporary issues as fear of dialogue, domination , martyrdom,religiousfervor and ideological hatred, and the slide into hopelessnessall fit into patterns of human behavior that are explored in tragedy.
A beacon for the 21st century is an understanding ofthe Science of Being Altogether as practiced by the great tragic dramatists.
An integral part of the art form of tragedy is deemed to be the dramatists adherence to thephilosophy of the Science of Being Altogether where the artist becomes intuitive scientist in creating a microcosm of the universe itself.Six plays Antigone, Hamlet, King Lear, Murder in the Cathedral, A Man for All Seasons, The Condemned of Altona are analyzed in similar format
in HUBRIS, The Construction of Tragedy.
Societies and forms of government may vary but humanity itself does not change significantly.Antigone, Hamlet and Albany in King Lear are deeply aware of mortals cosmic connection and the responsibilities resultant from it.
Hubris in human activity such as domination, exemplified by Creon in Antigone, andmartyrdom extolled by More in A Man for All Seasons and Thomas in Murder in the Cathedral can be understood to be scientifically untenable and destined to be chastened or broken by the universal life force. The Condemned of Altona addresses the 20th century disconnect of human morality from cosmic harmony.
At the end of each plays analysis, a section is devoted to its contemporary relevance.Contemporary issues as fear of dialogue, domination , martyrdom,religiousfervor and ideological hatred, and the slide into hopelessnessall fit into patterns of human behavior that are explored in tragedy.
