The Craftsman's Handbook

Nonfiction, Home & Garden, Crafts & Hobbies, Painting, Art & Architecture, General Art, Art Technique, Drawing
Cover of the book The Craftsman's Handbook by Cennino Cennini, Dover Publications
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Cennino Cennini ISBN: 9780486136622
Publisher: Dover Publications Publication: April 30, 2012
Imprint: Dover Publications Language: English
Author: Cennino Cennini
ISBN: 9780486136622
Publisher: Dover Publications
Publication: April 30, 2012
Imprint: Dover Publications
Language: English

This is D. V. Thompson's definitive English translation of Il Libro dell'Arte, an intriguing guide to methods of painting, written in fifteenth-century Florence. Embodying the secrets and techniques of the great masters, it served as an art student's introduction to the ways of his craft.
Anyone who has ever looked at a medieval painting and marveled at the brilliance of color and quality of surface that have endured for 500 years should find this fascinating reading. It describes such lost arts as gilding stone, making mosaics of crushed eggshell, fashioning saints' diadems, coloring parchment, making goat glue, and regulating your life in the interests of decorum — which meant shunning women, the greatest cause of unsteady hands in artists. You are told how to make green drapery, black for monks' robes, trees and plants, oils, beards in fresco, and the proper proportions of a man's body. ("I will not tell you about the irrational animals because you will never discover any system of proportion in them.") So practical are the details that readers might be tempted to experiment with the methods given here for their own amusement and curiosity.
Today artists are no longer interested in specific directions on keeping miniver tails from becoming moth-eaten. The Craftsman's Handbook, in which these are ordinary parts of the artist's work, appears quaint and naïve to us. And that is much of its charm. But when we remember the magnificent mosaics, paintings, and frescoes these methods produced, the book takes on an even greater value as a touchstone to another age.
"Recommended to the student of art." — Craft Horizons.
"Obviously of great merit." — Art Material Trade News.
"Delightful flavor." — New York Herald Tribune.
Recommended in Harvard List of Great Books on Art, Shaw's List of Books for College Libraries.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is D. V. Thompson's definitive English translation of Il Libro dell'Arte, an intriguing guide to methods of painting, written in fifteenth-century Florence. Embodying the secrets and techniques of the great masters, it served as an art student's introduction to the ways of his craft.
Anyone who has ever looked at a medieval painting and marveled at the brilliance of color and quality of surface that have endured for 500 years should find this fascinating reading. It describes such lost arts as gilding stone, making mosaics of crushed eggshell, fashioning saints' diadems, coloring parchment, making goat glue, and regulating your life in the interests of decorum — which meant shunning women, the greatest cause of unsteady hands in artists. You are told how to make green drapery, black for monks' robes, trees and plants, oils, beards in fresco, and the proper proportions of a man's body. ("I will not tell you about the irrational animals because you will never discover any system of proportion in them.") So practical are the details that readers might be tempted to experiment with the methods given here for their own amusement and curiosity.
Today artists are no longer interested in specific directions on keeping miniver tails from becoming moth-eaten. The Craftsman's Handbook, in which these are ordinary parts of the artist's work, appears quaint and naïve to us. And that is much of its charm. But when we remember the magnificent mosaics, paintings, and frescoes these methods produced, the book takes on an even greater value as a touchstone to another age.
"Recommended to the student of art." — Craft Horizons.
"Obviously of great merit." — Art Material Trade News.
"Delightful flavor." — New York Herald Tribune.
Recommended in Harvard List of Great Books on Art, Shaw's List of Books for College Libraries.

More books from Dover Publications

Cover of the book Iron Horses by Cennino Cennini
Cover of the book The Convolution Transform by Cennino Cennini
Cover of the book A Short History of the Civil War by Cennino Cennini
Cover of the book An Introduction to Nonassociative Algebras by Cennino Cennini
Cover of the book Encyclopedia of Card Tricks by Cennino Cennini
Cover of the book Differential Forms with Applications to the Physical Sciences by Cennino Cennini
Cover of the book History of the Theory of Numbers, Volume I by Cennino Cennini
Cover of the book Still Another Number Book by Cennino Cennini
Cover of the book Celtic Charted Designs by Cennino Cennini
Cover of the book Elementary Quantum Chemistry, Second Edition by Cennino Cennini
Cover of the book Daniel Boone's Own Story & The Adventures of Daniel Boone by Cennino Cennini
Cover of the book A Word to the Wise by Cennino Cennini
Cover of the book Theory of Functions, Parts I and II by Cennino Cennini
Cover of the book A Catalog of Special Plane Curves by Cennino Cennini
Cover of the book Silk-Screen Printing for Artists and Craftsmen by Cennino Cennini
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy