The Creation of Eve and Renaissance Naturalism

Visual Theology and Artistic Invention

Nonfiction, History, European General, Religion & Spirituality
Cover of the book The Creation of Eve and Renaissance Naturalism by Jack M. Greenstein, Cambridge University Press
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Author: Jack M. Greenstein ISBN: 9781316482032
Publisher: Cambridge University Press Publication: August 23, 2016
Imprint: Cambridge University Press Language: English
Author: Jack M. Greenstein
ISBN: 9781316482032
Publisher: Cambridge University Press
Publication: August 23, 2016
Imprint: Cambridge University Press
Language: English

Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought.

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Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought.

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