The Defence of Tradition in Brazilian Popular Music

Politics, Culture and the Creation of Música Popular Brasileira

Nonfiction, Entertainment, Music
Cover of the book The Defence of Tradition in Brazilian Popular Music by Sean Stroud, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sean Stroud ISBN: 9781317036180
Publisher: Taylor and Francis Publication: March 23, 2016
Imprint: Routledge Language: English
Author: Sean Stroud
ISBN: 9781317036180
Publisher: Taylor and Francis
Publication: March 23, 2016
Imprint: Routledge
Language: English

Sean Stroud examines how and why Música Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for the construction of the idea of MPB are examined in detail. Stroud analyses the increasingly close relationship that has developed between television and popular music in Brazil with particular reference to the post-1972 televised song festivals. He goes on to consider the impact of the Brazilian record industry in the light of theories of cultural imperialism and globalization and also evaluates governmental intervention relating to popular music in the 1970s. The importance of folklore and tradition in popular music that is present in both Mário de Andrade and Marcus Pereira's efforts to 'musically map' Brazil is clearly emphasized. Stroud contrasts these two projects with Hermano Vianna and Itaú Cultural's similar ventures at the end of the twentieth century that took a totally different view of musical 'authenticity' and tradition. Stroud concludes that the defence of musical traditions in Brazil is inextricably bound up with nationalistic sentiments and a desire to protect and preserve. MPB is the musical expression of the Brazilian middle class and has traditionally acted as a cultural icon because it is associated with notions of 'quality' by certain sectors of the media.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Sean Stroud examines how and why Música Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for the construction of the idea of MPB are examined in detail. Stroud analyses the increasingly close relationship that has developed between television and popular music in Brazil with particular reference to the post-1972 televised song festivals. He goes on to consider the impact of the Brazilian record industry in the light of theories of cultural imperialism and globalization and also evaluates governmental intervention relating to popular music in the 1970s. The importance of folklore and tradition in popular music that is present in both Mário de Andrade and Marcus Pereira's efforts to 'musically map' Brazil is clearly emphasized. Stroud contrasts these two projects with Hermano Vianna and Itaú Cultural's similar ventures at the end of the twentieth century that took a totally different view of musical 'authenticity' and tradition. Stroud concludes that the defence of musical traditions in Brazil is inextricably bound up with nationalistic sentiments and a desire to protect and preserve. MPB is the musical expression of the Brazilian middle class and has traditionally acted as a cultural icon because it is associated with notions of 'quality' by certain sectors of the media.

More books from Taylor and Francis

Cover of the book John Henry Newman by Sean Stroud
Cover of the book Legal Regulation of British Company Accounts 1836-1900 (RLE Accounting) by Sean Stroud
Cover of the book Cricket, Race and the 2007 World Cup by Sean Stroud
Cover of the book A History of British Livestock Husbandry, to 1700 by Sean Stroud
Cover of the book Who's Who in World War I by Sean Stroud
Cover of the book More Food Styling for Photographers & Stylists by Sean Stroud
Cover of the book The Historian's Two Bodies by Sean Stroud
Cover of the book The Routledge Companion to Urban Regeneration by Sean Stroud
Cover of the book Max Weber and the New Century by Sean Stroud
Cover of the book Virtues of Independence and Dependence on Virtues by Sean Stroud
Cover of the book Assessing Impact by Sean Stroud
Cover of the book Understanding MPEG 4 by Sean Stroud
Cover of the book Public Opinion by Sean Stroud
Cover of the book Media Experiences by Sean Stroud
Cover of the book Science and Socio-Religious Revolution in India by Sean Stroud
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy