The Dramaturgical Metaphor

Fiction & Literature
Cover of the book The Dramaturgical Metaphor by Ken Champion, Lulu.com
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Author: Ken Champion ISBN: 9780244983000
Publisher: Lulu.com Publication: April 23, 2018
Imprint: Lulu.com Language: English
Author: Ken Champion
ISBN: 9780244983000
Publisher: Lulu.com
Publication: April 23, 2018
Imprint: Lulu.com
Language: English

‘If you’re expecting to read titles of comparative texts by well known writers littered throughout a tribute to Ken Champion, you are mistaken - he’s not that kind of writer. The author is rare amongst his peers in social and literary relevance for he can present the lost, the mistaken, the sophistication doggedly clung to in despair and bring into being the deepest, unspoken tenderness. Following the psycho-geography of much of Urban Narratives, a story collection whose exploration of themes and ideas are broadened into similarly disturbed planes in The Dramaturgical Metaphor, Champion introduces a protagonist randomly and artfully directing Kundera-esque scenarios across Europe to escape from a damaged ego while searching for an idealised one. This new novella is not only to be admired for its style and pace, but to be felt, to be angry at.’

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

‘If you’re expecting to read titles of comparative texts by well known writers littered throughout a tribute to Ken Champion, you are mistaken - he’s not that kind of writer. The author is rare amongst his peers in social and literary relevance for he can present the lost, the mistaken, the sophistication doggedly clung to in despair and bring into being the deepest, unspoken tenderness. Following the psycho-geography of much of Urban Narratives, a story collection whose exploration of themes and ideas are broadened into similarly disturbed planes in The Dramaturgical Metaphor, Champion introduces a protagonist randomly and artfully directing Kundera-esque scenarios across Europe to escape from a damaged ego while searching for an idealised one. This new novella is not only to be admired for its style and pace, but to be felt, to be angry at.’

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