The Drawing Lesson, the first in the Trilogy of Remembrance

Fiction & Literature, Anthologies
Cover of the book The Drawing Lesson, the first in the Trilogy of Remembrance by Mary E. Martin, Mary E. Martin
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mary E. Martin ISBN: 9780987761903
Publisher: Mary E. Martin Publication: June 8, 2011
Imprint: Smashwords Edition Language: English
Author: Mary E. Martin
ISBN: 9780987761903
Publisher: Mary E. Martin
Publication: June 8, 2011
Imprint: Smashwords Edition
Language: English

Magical light creates stunning visions in Alexander Wainwright's landscape paintings. His most recent one, "The Hay Wagon", is a marvelous, moonlit scene, with an old-fashioned hay wagon dominating the foreground. The scene emits a beautiful, unearthly glow.

Yet, at the pinnacle of his career, he is about to lose his muse. Not everyone appreciates his work. Rinaldo, a conceptual artist, mocks Alexander's bourgeois love of beauty, believing that his success proves the chaos and absurdity of the universe.

Determined to humiliate and ultimately destroy his rival, Rinaldo defaces Alex's painting. Alexander brushes off the attack, but soon he has a frightening vision of misshapen, human, troll-like creature which suddenly appear in his art. He is beset by questions. Who are these ugly beings? Has he lost both his light and his art?

The creatures lead Alexander on a journey from London to Venice and from Toronto to New York as he seeks to understand their meaning. Along the way, he meets many people, each with a compelling story to tell.

Meanwhile, Rinaldo waits in New York City, intent on settling the score on the Williamsburg Bridge.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Magical light creates stunning visions in Alexander Wainwright's landscape paintings. His most recent one, "The Hay Wagon", is a marvelous, moonlit scene, with an old-fashioned hay wagon dominating the foreground. The scene emits a beautiful, unearthly glow.

Yet, at the pinnacle of his career, he is about to lose his muse. Not everyone appreciates his work. Rinaldo, a conceptual artist, mocks Alexander's bourgeois love of beauty, believing that his success proves the chaos and absurdity of the universe.

Determined to humiliate and ultimately destroy his rival, Rinaldo defaces Alex's painting. Alexander brushes off the attack, but soon he has a frightening vision of misshapen, human, troll-like creature which suddenly appear in his art. He is beset by questions. Who are these ugly beings? Has he lost both his light and his art?

The creatures lead Alexander on a journey from London to Venice and from Toronto to New York as he seeks to understand their meaning. Along the way, he meets many people, each with a compelling story to tell.

Meanwhile, Rinaldo waits in New York City, intent on settling the score on the Williamsburg Bridge.

More books from Anthologies

Cover of the book Honestly by Mary E. Martin
Cover of the book Lucky Luke 82 by Mary E. Martin
Cover of the book Narrator Magazine Best of the Best 2011 Blue Mountains/Central Tablelands by Mary E. Martin
Cover of the book Erotischer Adventskalender: 24 sexy Gedichte mit Niveau. Verführerische Weihnachten: Klassische deutsche Gedichte über Liebe und Sehnsucht, Verlangen und Sex by Mary E. Martin
Cover of the book Marmaduke: Master of the House by Mary E. Martin
Cover of the book The Selected Works of Guy Boothby by Mary E. Martin
Cover of the book The Old Curiosity Shop by Mary E. Martin
Cover of the book Tiffany Exklusiv Band 42 by Mary E. Martin
Cover of the book Julia Exklusiv Band 311 by Mary E. Martin
Cover of the book 山頂の写真集-ホアイブ Photo collection of the top of the peak - Hoaivu by Mary E. Martin
Cover of the book Shortest Day Longest Night by Mary E. Martin
Cover of the book Smalltown Heat by Mary E. Martin
Cover of the book A Virtude Laureada by Mary E. Martin
Cover of the book Le carnet rouge by Mary E. Martin
Cover of the book R. K. Narayan's attitude towards the English language: a postcolonial posture, a utilitarian gesture by Mary E. Martin
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy