The Emblematics of the Self

Ekphrasis and Identity in Renaissance Imitations of Ancient Greek Romance

Fiction & Literature, Literary Theory & Criticism, Ancient & Classical, Nonfiction, History, Renaissance
Cover of the book The Emblematics of the Self by Elizabeth B. Bearden, University of Toronto Press, Scholarly Publishing Division
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Elizabeth B. Bearden ISBN: 9781442696150
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: January 21, 2012
Imprint: Language: English
Author: Elizabeth B. Bearden
ISBN: 9781442696150
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: January 21, 2012
Imprint:
Language: English

The ancient Greek romances of Achilles Tatius and Heliodorus were widely imitated by early modern writers such as Miguel de Cervantes, Philip Sidney, and Mary Wroth. Like their Greek models, Renaissance romances used ekphrasis, or verbal descriptions of visual representation, as a tool for characterization. The Emblematics of the Self shows how the women, foreigners, and non-Christians of these tales reveal their identities and desires in their responses to the ‘verbal pictures’ of romance.

Elizabeth B. Bearden illuminates how ‘verbal pictures’ enliven characterization in English, Spanish, and Neolatin romances from 1552 to 1621. She notes the capacity for change among characters — such as cross-dressed Amazons, shepherdish princesses, and white Mauritanians — who traverse transnational cultural and aesthetic environments. Engaging and rigorous, The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the ‘other,’ as well as new possibilities for early modern identities, in an increasingly global Renaissance.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The ancient Greek romances of Achilles Tatius and Heliodorus were widely imitated by early modern writers such as Miguel de Cervantes, Philip Sidney, and Mary Wroth. Like their Greek models, Renaissance romances used ekphrasis, or verbal descriptions of visual representation, as a tool for characterization. The Emblematics of the Self shows how the women, foreigners, and non-Christians of these tales reveal their identities and desires in their responses to the ‘verbal pictures’ of romance.

Elizabeth B. Bearden illuminates how ‘verbal pictures’ enliven characterization in English, Spanish, and Neolatin romances from 1552 to 1621. She notes the capacity for change among characters — such as cross-dressed Amazons, shepherdish princesses, and white Mauritanians — who traverse transnational cultural and aesthetic environments. Engaging and rigorous, The Emblematics of the Self breaks new ground in understanding hegemonic and cosmopolitan European conceptions of the ‘other,’ as well as new possibilities for early modern identities, in an increasingly global Renaissance.

More books from University of Toronto Press, Scholarly Publishing Division

Cover of the book Marivaux by Elizabeth B. Bearden
Cover of the book Growing into Resilience by Elizabeth B. Bearden
Cover of the book Dante's Lyric Poetry by Elizabeth B. Bearden
Cover of the book The Trinity in History by Elizabeth B. Bearden
Cover of the book Cities of Oil by Elizabeth B. Bearden
Cover of the book The Earlier Letters of John Stuart Mill 1812-1848 by Elizabeth B. Bearden
Cover of the book Remembering 1759 by Elizabeth B. Bearden
Cover of the book The Evolution of Great World Cities by Elizabeth B. Bearden
Cover of the book Verse and Virtuosity by Elizabeth B. Bearden
Cover of the book The Rhetoric of Valéry's Prose Aubades by Elizabeth B. Bearden
Cover of the book Reclaiming the Nation by Elizabeth B. Bearden
Cover of the book Reconsidering Boccaccio by Elizabeth B. Bearden
Cover of the book The Oil & Gas Lease in Canada by Elizabeth B. Bearden
Cover of the book The Poetry of Francisco de la Torre by Elizabeth B. Bearden
Cover of the book The Will to Technology and the Culture of Nihilism by Elizabeth B. Bearden
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy