The End of Japanese Cinema

Industrial Genres, National Times, and Media Ecologies

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science
Cover of the book The End of Japanese Cinema by Alexander Zahlten, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alexander Zahlten ISBN: 9780822372462
Publisher: Duke University Press Publication: September 29, 2017
Imprint: Duke University Press Books Language: English
Author: Alexander Zahlten
ISBN: 9780822372462
Publisher: Duke University Press
Publication: September 29, 2017
Imprint: Duke University Press Books
Language: English

In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.

A Study of the Weatherhead East Asian Institute, Columbia University

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.

A Study of the Weatherhead East Asian Institute, Columbia University

More books from Duke University Press

Cover of the book The Vanguard of the Atlantic World by Alexander Zahlten
Cover of the book Medicine in the Meantime by Alexander Zahlten
Cover of the book Systems of Control in International Adjudication and Arbitration by Alexander Zahlten
Cover of the book Globalization by Alexander Zahlten
Cover of the book Circular Breathing by Alexander Zahlten
Cover of the book The Postmodernism Debate in Latin America by Alexander Zahlten
Cover of the book Living for the Revolution by Alexander Zahlten
Cover of the book Who Killed John Clayton? by Alexander Zahlten
Cover of the book The Effective Republic by Alexander Zahlten
Cover of the book Securing the City by Alexander Zahlten
Cover of the book Private Bodies, Public Texts by Alexander Zahlten
Cover of the book Photography's Other Histories by Alexander Zahlten
Cover of the book Cinematic Prophylaxis by Alexander Zahlten
Cover of the book Persistent Oligarchs by Alexander Zahlten
Cover of the book Disappearing Acts by Alexander Zahlten
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy