The Experience of Poetry

From Homer's Listeners to Shakespeare's Readers

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, Poetry
Cover of the book The Experience of Poetry by Derek Attridge, OUP Oxford
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Derek Attridge ISBN: 9780192569585
Publisher: OUP Oxford Publication: January 28, 2019
Imprint: OUP Oxford Language: English
Author: Derek Attridge
ISBN: 9780192569585
Publisher: OUP Oxford
Publication: January 28, 2019
Imprint: OUP Oxford
Language: English

Was the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Was the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.

More books from OUP Oxford

Cover of the book The Long Road to Stockholm by Derek Attridge
Cover of the book Homeless Heritage by Derek Attridge
Cover of the book How Persistent Low Returns Will Shape Saving and Retirement by Derek Attridge
Cover of the book Berkeley's Three Dialogues by Derek Attridge
Cover of the book Employee Competition by Derek Attridge
Cover of the book Contours of the World Economy 1-2030 AD by Derek Attridge
Cover of the book Managing Knowledge Integration Across Boundaries by Derek Attridge
Cover of the book Nuclear Dawn by Derek Attridge
Cover of the book Contemporary Archaeology and the City by Derek Attridge
Cover of the book Idealism by Derek Attridge
Cover of the book Lützen by Derek Attridge
Cover of the book Readers' Liberation by Derek Attridge
Cover of the book Self Interest and Public Interest in Western Politics by Derek Attridge
Cover of the book Landmark Papers in Nephrology by Derek Attridge
Cover of the book When Truth Gives Out by Derek Attridge
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy