The Generation of Postmemory

Writing and Visual Culture After the Holocaust

Nonfiction, Social & Cultural Studies, Social Science, Gender Studies, Women&, Fiction & Literature, Literary Theory & Criticism
Cover of the book The Generation of Postmemory by Marianne Hirsch, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Marianne Hirsch ISBN: 9780231526272
Publisher: Columbia University Press Publication: June 26, 2012
Imprint: Columbia University Press Language: English
Author: Marianne Hirsch
ISBN: 9780231526272
Publisher: Columbia University Press
Publication: June 26, 2012
Imprint: Columbia University Press
Language: English

Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories-multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large.

In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories-multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large.

In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.

More books from Columbia University Press

Cover of the book The Cinema of Béla Tarr by Marianne Hirsch
Cover of the book The Columbia History of Latinos in the United States Since 1960 by Marianne Hirsch
Cover of the book Banished to the Homeland by Marianne Hirsch
Cover of the book The Social Work Interview by Marianne Hirsch
Cover of the book Winged Faith by Marianne Hirsch
Cover of the book Narrative and Numbers by Marianne Hirsch
Cover of the book Poetry and Animals by Marianne Hirsch
Cover of the book Palestinian Identity by Marianne Hirsch
Cover of the book The Quest for God and the Good by Marianne Hirsch
Cover of the book The Best American Magazine Writing 2018 by Marianne Hirsch
Cover of the book Hindu Widow Marriage by Marianne Hirsch
Cover of the book Religion in America by Marianne Hirsch
Cover of the book Culture of Encounters by Marianne Hirsch
Cover of the book Xunzi by Marianne Hirsch
Cover of the book Transforming the Legacy by Marianne Hirsch
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy