The Grammar of Ornament

A Visual Reference of Form and Colour in Architecture and the Decorative Arts - The complete and unabridged full-color edition

Nonfiction, Art & Architecture, Architecture, Decoration & Ornament, Home & Garden, Crafts & Hobbies, Decorating, General Art
Cover of the book The Grammar of Ornament by Owen Jones, Princeton University Press
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Author: Owen Jones ISBN: 9781400882717
Publisher: Princeton University Press Publication: July 26, 2016
Imprint: Princeton University Press Language: English
Author: Owen Jones
ISBN: 9781400882717
Publisher: Princeton University Press
Publication: July 26, 2016
Imprint: Princeton University Press
Language: English

The complete and unabridged full-color edition

First published in 1856, The Grammar of Ornament remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809–1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources.

Jones's resulting study is a comprehensive analysis of styles of ornamental design, presenting key examples ranging from Maori tattoos, Egyptian columns, and Greek borders to Byzantine mosaic, Indian embroidery, and Elizabethan carvings. At once splendidly Victorian and insistently modern, The Grammar of Ornament celebrates objects of beauty from across time periods and continents, and remains an indispensable sourcebook today.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The complete and unabridged full-color edition

First published in 1856, The Grammar of Ornament remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809–1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources.

Jones's resulting study is a comprehensive analysis of styles of ornamental design, presenting key examples ranging from Maori tattoos, Egyptian columns, and Greek borders to Byzantine mosaic, Indian embroidery, and Elizabethan carvings. At once splendidly Victorian and insistently modern, The Grammar of Ornament celebrates objects of beauty from across time periods and continents, and remains an indispensable sourcebook today.

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