The Great Painters' Gospel: Pictures Representing Scenes and Incidents in the Life of Our Lord Jesus Christ

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Great Painters' Gospel: Pictures Representing Scenes and Incidents in the Life of Our Lord Jesus Christ by Henry Turner Bailey, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Henry Turner Bailey ISBN: 9781465519146
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Henry Turner Bailey
ISBN: 9781465519146
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

THE USE OF PICTURES IN TEACHING. PICTURES may hold a primary or secondary place in teaching, according to their nature and the aim of the teacher. The text itself may be the supreme thing, and pictures become mere pictorial comments upon the text. Pictures when so used have the nature of views or illustrations. The picture at the head of this page is a view. It is reproduced from a photograph taken directly from nature. Such pictures are of great value in building up in the mind clear images of objects or of scenes beyond the pupil's reach. A map means almost nothing to a person unfamiliar with the country, unless by means of numberless views the appearance of the country has been made known to the mind. Every teacher in Sunday-school should have a collection of photographic views of the historical sites of the Bible, of implements, household utensils, articles of dress, etc., which may be used to make clear the Biblical references to such things. Without such illustrations words may convey little or no meaning. The first picture upon the next page may be called an illustration. To a person unfamiliar with the text it might convey any meaning but the true one; but to one familiar with the story of Christ and the rich young ruler it is wonderfully graphic and satisfactory. The words of the text take on a deeper meaning as they are studied in the light of this picture. Because Hofmann is an artist, a man gifted with imagination, he sees more clearly, more vividly than the average person. Seen through his eyes what was before vague and unconvincing becomes definite and powerful. Before seeing the picture the pupil had heard the words:"Jesus, looking upon him, loved him." Now with the picture he sees that Jesus loves him and is anxious to have him decide for life everlasting. Before "the poor" were abstract; now they become a concrete reality. Before the pupil had been told that the young man had "great possessions;" now he sees that he had also health and beauty and intelligence, greater possessions than land and gold. The Sunday-school teacher is fortunate who has at his command pictures which illustrate, which make luminous the text. Plates 11, 20, 34, 39, 47, 62, 70, 101, 106, 133, and 143 may be mentioned as notable examples of good illustrations to supplement the text. Christ and the Young Ruler Plate 112. Christ and the Young Ruler. H. Hofmann. 1824

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

THE USE OF PICTURES IN TEACHING. PICTURES may hold a primary or secondary place in teaching, according to their nature and the aim of the teacher. The text itself may be the supreme thing, and pictures become mere pictorial comments upon the text. Pictures when so used have the nature of views or illustrations. The picture at the head of this page is a view. It is reproduced from a photograph taken directly from nature. Such pictures are of great value in building up in the mind clear images of objects or of scenes beyond the pupil's reach. A map means almost nothing to a person unfamiliar with the country, unless by means of numberless views the appearance of the country has been made known to the mind. Every teacher in Sunday-school should have a collection of photographic views of the historical sites of the Bible, of implements, household utensils, articles of dress, etc., which may be used to make clear the Biblical references to such things. Without such illustrations words may convey little or no meaning. The first picture upon the next page may be called an illustration. To a person unfamiliar with the text it might convey any meaning but the true one; but to one familiar with the story of Christ and the rich young ruler it is wonderfully graphic and satisfactory. The words of the text take on a deeper meaning as they are studied in the light of this picture. Because Hofmann is an artist, a man gifted with imagination, he sees more clearly, more vividly than the average person. Seen through his eyes what was before vague and unconvincing becomes definite and powerful. Before seeing the picture the pupil had heard the words:"Jesus, looking upon him, loved him." Now with the picture he sees that Jesus loves him and is anxious to have him decide for life everlasting. Before "the poor" were abstract; now they become a concrete reality. Before the pupil had been told that the young man had "great possessions;" now he sees that he had also health and beauty and intelligence, greater possessions than land and gold. The Sunday-school teacher is fortunate who has at his command pictures which illustrate, which make luminous the text. Plates 11, 20, 34, 39, 47, 62, 70, 101, 106, 133, and 143 may be mentioned as notable examples of good illustrations to supplement the text. Christ and the Young Ruler Plate 112. Christ and the Young Ruler. H. Hofmann. 1824

More books from Library of Alexandria

Cover of the book The Brighton Road: The Classic Highway to the South by Henry Turner Bailey
Cover of the book Clio by Henry Turner Bailey
Cover of the book The Matabele Campaign: Being a Narrative of the Campaign in Suppressing the Native Rising in Matabeleland and Mashonaland 1896 by Henry Turner Bailey
Cover of the book To-Morrow? by Henry Turner Bailey
Cover of the book Language: Its Nature, Development and Origin by Henry Turner Bailey
Cover of the book Myths and Marvels of Astronomy by Henry Turner Bailey
Cover of the book The Seven Who Were Hanged by Henry Turner Bailey
Cover of the book Bailén by Henry Turner Bailey
Cover of the book To the Russian Soldier by Henry Turner Bailey
Cover of the book When a Man Comes to Himself by Henry Turner Bailey
Cover of the book The Phenomenology of Mind by Henry Turner Bailey
Cover of the book Morte de Yaginadatta: Episodio do poema epico - O Ramayana by Henry Turner Bailey
Cover of the book The Virgin of the World by Henry Turner Bailey
Cover of the book Selected Short Stories of Mary Elizabeth Braddon: Eveline's Visitant, The Cold Embrace, Good Lady Ducayne, At Chrighton Abbey, The Shadow in the Corner by Henry Turner Bailey
Cover of the book The Maidens' Lodge: None of Self and All of Thee, (In the Reign of Queen Anne) by Henry Turner Bailey
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy