The Hesperides & Noble Numbers: Vol. 1 and 2

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Hesperides & Noble Numbers: Vol. 1 and 2 by Robert Herrick, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robert Herrick ISBN: 9781465543158
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Robert Herrick
ISBN: 9781465543158
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

In this edition of Herrick quotation is for the first time facilitated by the poems being numbered according to their order in the original edition. This numbering has rendered it possible to print those Epigrams, which successive editors have joined in deploring, in a detachable Appendix, their place in the original being indicated by the numeration. It remains to be added that the footnotes in this edition are intended to explain, as unobtrusively as possible, difficulties of phrase or allusion which might conceivably hinder the understanding of Herrick's meaning. In the longer Notes at the end of each volume earlier versions of some important poems are printed from manuscripts at the British Museum, and an endeavour has been made to extend the list of Herrick's debts to classical sources, and to identify some of his friends who have hitherto escaped research. An editor is always apt to mention his predecessors rather for blame than praise, and I therefore take this opportunity of acknowledging my general indebtedness to the pioneer work of Mr. Hazlitt and Dr. Grosart, upon whose foundations all editors of Herrick must necessarily build. It is singular that the first great age of English lyric poetry should have been also the one great age of English dramatic poetry: but it is hardly less singular that the lyric school should have advanced as steadily as the dramatic school declined from the promise of its dawn. Born with Marlowe, it rose at once with Shakespeare to heights inaccessible before and since and for ever, to sink through bright gradations of glorious decline to its final and beautiful sunset in Shirley: but the lyrical record that begins with the author of "Euphues" and "Endymion" grows fuller if not brighter through a whole chain of constellations till it culminates in the crowning star of Herrick. Shakespeare's last song, the exquisite and magnificent overture to "The Two Noble Kinsmen," is hardly so limpid in its flow, so liquid in its melody, as the two great songs in "Valentinian": but Herrick, our last poet of that incomparable age or generation, has matched them again and again. As a creative and inventive singer, he surpasses all his rivals in quantity of good work; in quality of spontaneous instinct and melodious inspiration he reminds us, by frequent and flawless evidence, who above all others must beyond all doubt have been his first master and his first model in lyric poetry—the author of "The Passionate Shepherd to his Love

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this edition of Herrick quotation is for the first time facilitated by the poems being numbered according to their order in the original edition. This numbering has rendered it possible to print those Epigrams, which successive editors have joined in deploring, in a detachable Appendix, their place in the original being indicated by the numeration. It remains to be added that the footnotes in this edition are intended to explain, as unobtrusively as possible, difficulties of phrase or allusion which might conceivably hinder the understanding of Herrick's meaning. In the longer Notes at the end of each volume earlier versions of some important poems are printed from manuscripts at the British Museum, and an endeavour has been made to extend the list of Herrick's debts to classical sources, and to identify some of his friends who have hitherto escaped research. An editor is always apt to mention his predecessors rather for blame than praise, and I therefore take this opportunity of acknowledging my general indebtedness to the pioneer work of Mr. Hazlitt and Dr. Grosart, upon whose foundations all editors of Herrick must necessarily build. It is singular that the first great age of English lyric poetry should have been also the one great age of English dramatic poetry: but it is hardly less singular that the lyric school should have advanced as steadily as the dramatic school declined from the promise of its dawn. Born with Marlowe, it rose at once with Shakespeare to heights inaccessible before and since and for ever, to sink through bright gradations of glorious decline to its final and beautiful sunset in Shirley: but the lyrical record that begins with the author of "Euphues" and "Endymion" grows fuller if not brighter through a whole chain of constellations till it culminates in the crowning star of Herrick. Shakespeare's last song, the exquisite and magnificent overture to "The Two Noble Kinsmen," is hardly so limpid in its flow, so liquid in its melody, as the two great songs in "Valentinian": but Herrick, our last poet of that incomparable age or generation, has matched them again and again. As a creative and inventive singer, he surpasses all his rivals in quantity of good work; in quality of spontaneous instinct and melodious inspiration he reminds us, by frequent and flawless evidence, who above all others must beyond all doubt have been his first master and his first model in lyric poetry—the author of "The Passionate Shepherd to his Love

More books from Library of Alexandria

Cover of the book Rasputin the Rascal Monk: Disclosing the Secret Scandal of the Betrayal of Russia by the Mock-Monk Grichka and the Consequent Ruin of the Romanoffs With Official Documents Revealed and Recorded for the First Time by Robert Herrick
Cover of the book Washington and the Riddle of Peace by Robert Herrick
Cover of the book The History of Virginia in Four Parts by Robert Herrick
Cover of the book On the State of Lunacy and the Legal Provision for the Insane by Robert Herrick
Cover of the book The South Sea Whaler by Robert Herrick
Cover of the book Bonaparte in Egypt and The Egyptians of To-Day by Robert Herrick
Cover of the book Parisians in The Country by Robert Herrick
Cover of the book A Budget of Christmas Tales by Charles Dickens and Others by Robert Herrick
Cover of the book The Kentucky Ranger by Robert Herrick
Cover of the book What Shall We Do? by Robert Herrick
Cover of the book My Life and Loves (Complete) by Robert Herrick
Cover of the book Gleaings in Buddha-Fields by Robert Herrick
Cover of the book Ancient and Modern Initiation by Robert Herrick
Cover of the book The Beginnings of New England or the Puritan Theocracy in Its Relations to Civil and Religious Liberty by Robert Herrick
Cover of the book Sevastopol by Robert Herrick
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy