The Hunchback in Hellenistic and Roman Art

Nonfiction, Social & Cultural Studies, Social Science, Disability, Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism, Art & Architecture, Art History
Cover of the book The Hunchback in Hellenistic and Roman Art by Lisa Trentin, Bloomsbury Publishing
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Author: Lisa Trentin ISBN: 9781780939117
Publisher: Bloomsbury Publishing Publication: June 18, 2015
Imprint: Bloomsbury Academic Language: English
Author: Lisa Trentin
ISBN: 9781780939117
Publisher: Bloomsbury Publishing
Publication: June 18, 2015
Imprint: Bloomsbury Academic
Language: English

The subject of deformity and disability in the ancient Greco-Roman world has experienced a surge in scholarship over the past two decades. Recognizing a vast, but relatively un(der)explored, corpus of evidence, scholars have sought to integrate the deformed and disabled body back into our understanding of ancient society and culture, art and representation. The Hunchback in Hellenistic and Roman Art works towards this end, using the figure of the hunchback to re-think and re-read images of the 'Other' as well as key issues that lie at the very heart of ancient representation.

The author takes an art-historical approach, examining key features of the corpus of hunchbacks, as well as representations of the deformed and disabled more generally. This provides fertile ground for a re-assessment of current, and likewise marginalized, scholarship on the miniature in ancient art, hyperphallicism in ancient art, and the emphasis on the male body in ancient art.

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The subject of deformity and disability in the ancient Greco-Roman world has experienced a surge in scholarship over the past two decades. Recognizing a vast, but relatively un(der)explored, corpus of evidence, scholars have sought to integrate the deformed and disabled body back into our understanding of ancient society and culture, art and representation. The Hunchback in Hellenistic and Roman Art works towards this end, using the figure of the hunchback to re-think and re-read images of the 'Other' as well as key issues that lie at the very heart of ancient representation.

The author takes an art-historical approach, examining key features of the corpus of hunchbacks, as well as representations of the deformed and disabled more generally. This provides fertile ground for a re-assessment of current, and likewise marginalized, scholarship on the miniature in ancient art, hyperphallicism in ancient art, and the emphasis on the male body in ancient art.

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