The Image in Mind

Theism, Naturalism, and the Imagination

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics
Cover of the book The Image in Mind by Jil Evans, Professor Charles Taliaferro, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jil Evans, Professor Charles Taliaferro ISBN: 9781441148827
Publisher: Bloomsbury Publishing Publication: June 6, 2013
Imprint: Continuum Language: English
Author: Jil Evans, Professor Charles Taliaferro
ISBN: 9781441148827
Publisher: Bloomsbury Publishing
Publication: June 6, 2013
Imprint: Continuum
Language: English

A philosophical inquiry into the strengths and weaknesses of theism and naturalism in accounting for the emergence of consciousness, the visual imagination and aesthetic values. The authors begin by offering an account of modern scientific practice which gives a central place to the visual imagination and aesthetic values. They then move to test the explanatory power of naturalism and theism in accounting for consciousness and the very visual imagination and aesthetic values that lie behind and define modern science. Taliaferro and Evans argue that evolutionary biology alone is insufficient to account for consciousness, the visual imagination and aesthetic values. Insofar as naturalism is compelled to go beyond evolutionary biology, it does not fare as well as theism in terms of explanatory power.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A philosophical inquiry into the strengths and weaknesses of theism and naturalism in accounting for the emergence of consciousness, the visual imagination and aesthetic values. The authors begin by offering an account of modern scientific practice which gives a central place to the visual imagination and aesthetic values. They then move to test the explanatory power of naturalism and theism in accounting for consciousness and the very visual imagination and aesthetic values that lie behind and define modern science. Taliaferro and Evans argue that evolutionary biology alone is insufficient to account for consciousness, the visual imagination and aesthetic values. Insofar as naturalism is compelled to go beyond evolutionary biology, it does not fare as well as theism in terms of explanatory power.

More books from Bloomsbury Publishing

Cover of the book National Theatre Connections 2015 by Jil Evans, Professor Charles Taliaferro
Cover of the book Fetlocks Hall 3: The Curse of the Pony Vampires by Jil Evans, Professor Charles Taliaferro
Cover of the book The Boy at the End of the World by Jil Evans, Professor Charles Taliaferro
Cover of the book Dress History by Jil Evans, Professor Charles Taliaferro
Cover of the book Cyclosportive by Jil Evans, Professor Charles Taliaferro
Cover of the book London's Triumph by Jil Evans, Professor Charles Taliaferro
Cover of the book Eat Like a Local TOKYO by Jil Evans, Professor Charles Taliaferro
Cover of the book Trigger by Jil Evans, Professor Charles Taliaferro
Cover of the book Water and Society by Jil Evans, Professor Charles Taliaferro
Cover of the book How To Write: A Screenplay by Jil Evans, Professor Charles Taliaferro
Cover of the book The Virginity of Famous Men by Jil Evans, Professor Charles Taliaferro
Cover of the book Godard and Sound by Jil Evans, Professor Charles Taliaferro
Cover of the book Network Nature by Jil Evans, Professor Charles Taliaferro
Cover of the book The Minutemen's Double Nickels on the Dime by Jil Evans, Professor Charles Taliaferro
Cover of the book Arctic Governance: Volume 1 by Jil Evans, Professor Charles Taliaferro
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy