The Irish Classical Self

Poets and Poor Scholars in the Eighteenth and Nineteenth Centuries

Nonfiction, History, Ireland, Fiction & Literature, Literary Theory & Criticism
Cover of the book The Irish Classical Self by Laurie O'Higgins, OUP Oxford
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Laurie O'Higgins ISBN: 9780191079825
Publisher: OUP Oxford Publication: March 9, 2017
Imprint: OUP Oxford Language: English
Author: Laurie O'Higgins
ISBN: 9780191079825
Publisher: OUP Oxford
Publication: March 9, 2017
Imprint: OUP Oxford
Language: English

The Irish Classical Self considers the role of classical languages and learning in the construction of Irish cultural identities in the eighteenth and nineteenth centuries, focusing in particular on the "lower ranks" of society. This eighteenth century notion of the "classical self" grew partly out of influential identity narratives developed in the seventeenth century by clerics on the European continent: responding to influential critiques of the Irish as ignorant barbarians, they published works demonstrating the value and antiquity of indigenous culture and made traditional annalistic claims about the antiquity of Irish and connections between Ireland and the biblical and classical world broadly known. In the eighteenth century these and related ideas spread through Irish poetry, which demonstrated the complex and continuing interaction of languages in the country: a story of conflict, but also of communication and amity. The "classical strain" in the context of the non-elite may seem like an unlikely phenomenon but the volume exposes the truth in the legend of the classical hedge schools which offered tuition in Latin and Greek to poor students, for whom learning and claims to learning had particular meaning and power. This volume surveys official data on schools and scholars together with literary and other narratives, showing how the schools, inherently transgressive because of the Penal Laws, drove concerns about class and political loyalty and inspired seductive but contentious retrospectives. It demonstrates that classical interests among those "in the humbler walks of life" ran in the same channels as interests in Irish literature and contemporary Irish poetry and demands a closer look at the phenomenon in its entirety.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Irish Classical Self considers the role of classical languages and learning in the construction of Irish cultural identities in the eighteenth and nineteenth centuries, focusing in particular on the "lower ranks" of society. This eighteenth century notion of the "classical self" grew partly out of influential identity narratives developed in the seventeenth century by clerics on the European continent: responding to influential critiques of the Irish as ignorant barbarians, they published works demonstrating the value and antiquity of indigenous culture and made traditional annalistic claims about the antiquity of Irish and connections between Ireland and the biblical and classical world broadly known. In the eighteenth century these and related ideas spread through Irish poetry, which demonstrated the complex and continuing interaction of languages in the country: a story of conflict, but also of communication and amity. The "classical strain" in the context of the non-elite may seem like an unlikely phenomenon but the volume exposes the truth in the legend of the classical hedge schools which offered tuition in Latin and Greek to poor students, for whom learning and claims to learning had particular meaning and power. This volume surveys official data on schools and scholars together with literary and other narratives, showing how the schools, inherently transgressive because of the Penal Laws, drove concerns about class and political loyalty and inspired seductive but contentious retrospectives. It demonstrates that classical interests among those "in the humbler walks of life" ran in the same channels as interests in Irish literature and contemporary Irish poetry and demands a closer look at the phenomenon in its entirety.

More books from OUP Oxford

Cover of the book The Naked Self: Kierkegaard and Personal Identity by Laurie O'Higgins
Cover of the book Why are Women more Religious than Men? by Laurie O'Higgins
Cover of the book Cyber Operations and the Use of Force in International Law by Laurie O'Higgins
Cover of the book The Legal Construction of Personal Work Relations by Laurie O'Higgins
Cover of the book Governance by Indicators by Laurie O'Higgins
Cover of the book Lots of Fun at Finnegans Wake by Laurie O'Higgins
Cover of the book Vagueness in Psychiatry by Laurie O'Higgins
Cover of the book The Law of Targeting by Laurie O'Higgins
Cover of the book The Novel by Laurie O'Higgins
Cover of the book Fighting for Peace in Somalia by Laurie O'Higgins
Cover of the book The Oxford Handbook of Law and Politics by Laurie O'Higgins
Cover of the book The Rise of the Regulatory State of the South by Laurie O'Higgins
Cover of the book The Social and Political Philosophy of Mary Wollstonecraft by Laurie O'Higgins
Cover of the book Myths on the Map by Laurie O'Higgins
Cover of the book Women Classical Scholars by Laurie O'Higgins
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy