The Jazz Bubble

Neoclassical Jazz in Neoliberal Culture

Nonfiction, Entertainment, Music, Music Styles, Jazz & Blues, Jazz, Theory & Criticism, History & Criticism
Cover of the book The Jazz Bubble by Dale Chapman, University of California Press
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Author: Dale Chapman ISBN: 9780520968219
Publisher: University of California Press Publication: March 23, 2018
Imprint: University of California Press Language: English
Author: Dale Chapman
ISBN: 9780520968219
Publisher: University of California Press
Publication: March 23, 2018
Imprint: University of California Press
Language: English

Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies.

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