The Jules Verne Steam Balloon

Nine Stories

Fiction & Literature, Short Stories, Literary
Cover of the book The Jules Verne Steam Balloon by Guy Davenport, Open Road Media
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Author: Guy Davenport ISBN: 9781504019644
Publisher: Open Road Media Publication: September 1, 2015
Imprint: Open Road Media Language: English
Author: Guy Davenport
ISBN: 9781504019644
Publisher: Open Road Media
Publication: September 1, 2015
Imprint: Open Road Media
Language: English

Guy Davenport’s cerebral and innovative stories intricately assemble centuries’ worth of images and ideas

Guy Davenport’s stories seamlessly illuminate his vast knowledge of theology, philosophy, botany, and art, in his singular style of finding harmony in the juxtaposition of different themes. Whether critiquing the politics of socialist realist art in “We Often Think of Lenin at the Clothespin Factory,” revisiting biblical tales in “Jonah,” or depicting an ancient Greek philosopher in “The Meadow,” Davenport demonstrates his talent for blending high-minded ideas with literary wit.
 
Davenport’s writing is at its most confident when the author weaves between time periods and ideas, such as when he revisits Descartes through the eyes of an ancient Greek skeptic in “Pyrrhon of Elis,” wherein a doubting philosopher declares, “I may not be, I think”; or in “The Bicycle Rider,” in which a doctoral student studying imagery of demons in the Gospels is visited by angelic spirits and attempts to save the life of a nihilistic prostitute. In these stories and the others collected in The Jules Verne Steam Balloon, Davenport’s signature approach to culture and humanity is on bold display.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Guy Davenport’s cerebral and innovative stories intricately assemble centuries’ worth of images and ideas

Guy Davenport’s stories seamlessly illuminate his vast knowledge of theology, philosophy, botany, and art, in his singular style of finding harmony in the juxtaposition of different themes. Whether critiquing the politics of socialist realist art in “We Often Think of Lenin at the Clothespin Factory,” revisiting biblical tales in “Jonah,” or depicting an ancient Greek philosopher in “The Meadow,” Davenport demonstrates his talent for blending high-minded ideas with literary wit.
 
Davenport’s writing is at its most confident when the author weaves between time periods and ideas, such as when he revisits Descartes through the eyes of an ancient Greek skeptic in “Pyrrhon of Elis,” wherein a doubting philosopher declares, “I may not be, I think”; or in “The Bicycle Rider,” in which a doctoral student studying imagery of demons in the Gospels is visited by angelic spirits and attempts to save the life of a nihilistic prostitute. In these stories and the others collected in The Jules Verne Steam Balloon, Davenport’s signature approach to culture and humanity is on bold display.

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