The Late Harold Pinter

Political Dramatist, Poet and Activist

Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism
Cover of the book The Late Harold Pinter by Basil Chiasson, Palgrave Macmillan UK
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Author: Basil Chiasson ISBN: 9781137508164
Publisher: Palgrave Macmillan UK Publication: August 9, 2017
Imprint: Palgrave Macmillan Language: English
Author: Basil Chiasson
ISBN: 9781137508164
Publisher: Palgrave Macmillan UK
Publication: August 9, 2017
Imprint: Palgrave Macmillan
Language: English

This volume is the first to provide a book-length study of Pinter’s overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter’s later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinter’s later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This volume is the first to provide a book-length study of Pinter’s overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter’s later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinter’s later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics.

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