The Late Henry Moss, Eyes for Consuela, When the World Was Green

Three Plays

Fiction & Literature, Drama, American, Nonfiction, Entertainment, Anthologies
Cover of the book The Late Henry Moss, Eyes for Consuela, When the World Was Green by Sam Shepard, Knopf Doubleday Publishing Group
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Author: Sam Shepard ISBN: 9780307536969
Publisher: Knopf Doubleday Publishing Group Publication: March 12, 2009
Imprint: Vintage Language: English
Author: Sam Shepard
ISBN: 9780307536969
Publisher: Knopf Doubleday Publishing Group
Publication: March 12, 2009
Imprint: Vintage
Language: English

These three plays by Pulitzer Prize winner Sam Shepard are bold, explosive, and ultimately redemptive dramas propelled by family secrets and illuminated by a searching intelligence.
In The Late Henry Moss–which premiered in San Francisco, starring Sean Penn and Nick Nolte–two estranged brothers confront the past as they piece together the drunken fishing expedition that preceded their father’s death. In Eyes for Consuela*,* based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green*,* cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

These three plays by Pulitzer Prize winner Sam Shepard are bold, explosive, and ultimately redemptive dramas propelled by family secrets and illuminated by a searching intelligence.
In The Late Henry Moss–which premiered in San Francisco, starring Sean Penn and Nick Nolte–two estranged brothers confront the past as they piece together the drunken fishing expedition that preceded their father’s death. In Eyes for Consuela*,* based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green*,* cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

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