The Lithic Garden

Nature and the Transformation of the Medieval Church

Nonfiction, Religion & Spirituality, Reference, History, Medieval, Art & Architecture, Art History
Cover of the book The Lithic Garden by Mailan S. Doquang, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mailan S. Doquang ISBN: 9780190631819
Publisher: Oxford University Press Publication: January 11, 2018
Imprint: Oxford University Press Language: English
Author: Mailan S. Doquang
ISBN: 9780190631819
Publisher: Oxford University Press
Publication: January 11, 2018
Imprint: Oxford University Press
Language: English

The Lithic Garden offers innovative perspectives on the role of ornament in medieval church design. Focusing on the foliate friezes articulating iconic French monuments such as Amiens Cathedral, it demonstrates that church builders strategically used organic motifs to integrate the interior and exterior of their structures, thus reinforcing the connections and distinctions between the entirety of the sacred edifice and the profane world beyond its boundaries. With this exquisitely illustrated monograph, Mailan S. Doquang argues that, contrary to widespread belief, monumental flora was not just an extravagant embellishment or secondary byproduct, but a semantically-charged, critical design component that inflected the stratified spaces of churches in myriad ways. By situating the proliferation of foliate friezes within the context of the Crusades, The Lithic Garden provides insights into the networks of exchange between France, Byzantium, and the Levant, contributing to the "global turn" in art and architectural History.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Lithic Garden offers innovative perspectives on the role of ornament in medieval church design. Focusing on the foliate friezes articulating iconic French monuments such as Amiens Cathedral, it demonstrates that church builders strategically used organic motifs to integrate the interior and exterior of their structures, thus reinforcing the connections and distinctions between the entirety of the sacred edifice and the profane world beyond its boundaries. With this exquisitely illustrated monograph, Mailan S. Doquang argues that, contrary to widespread belief, monumental flora was not just an extravagant embellishment or secondary byproduct, but a semantically-charged, critical design component that inflected the stratified spaces of churches in myriad ways. By situating the proliferation of foliate friezes within the context of the Crusades, The Lithic Garden provides insights into the networks of exchange between France, Byzantium, and the Levant, contributing to the "global turn" in art and architectural History.

More books from Oxford University Press

Cover of the book Ancient Laws and Contemporary Controversies by Mailan S. Doquang
Cover of the book The Unfinished Bombing by Mailan S. Doquang
Cover of the book A Century of Miracles by Mailan S. Doquang
Cover of the book Spanish Colonization to 1650: Oxford Bibliographies Online Research Guide by Mailan S. Doquang
Cover of the book A Sociology of Modern China by Mailan S. Doquang
Cover of the book Marketplace of the Gods by Mailan S. Doquang
Cover of the book Reforming Mary by Mailan S. Doquang
Cover of the book The Oxford Companion to the History of Modern Science by Mailan S. Doquang
Cover of the book Networked Publics and Digital Contention by Mailan S. Doquang
Cover of the book The Phenomenal Basis of Intentionality by Mailan S. Doquang
Cover of the book Gods and Mortals by Mailan S. Doquang
Cover of the book Teaching Mysticism by Mailan S. Doquang
Cover of the book Poetics of Dance by Mailan S. Doquang
Cover of the book Kodály in the Fourth Grade Classroom by Mailan S. Doquang
Cover of the book Law at Work by Mailan S. Doquang
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy