The Modern Scot: Modernism and Nationalism in Scottish Art, 1928-1955

Modernism and Nationalism in Scottish Art, 1928-1955

Nonfiction, Social & Cultural Studies, Social Science
Cover of the book The Modern Scot: Modernism and Nationalism in Scottish Art, 1928-1955 by Tom Normand, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tom Normand ISBN: 9781351749329
Publisher: Taylor and Francis Publication: November 22, 2017
Imprint: Routledge Language: English
Author: Tom Normand
ISBN: 9781351749329
Publisher: Taylor and Francis
Publication: November 22, 2017
Imprint: Routledge
Language: English

This title was first published in 2000:  An investigation of Scottish art between 1928 and 1955 to bring into focus the multifaceted project that was Scottish modernism. At the core of this work lies the contention that Scottish modernism was underpinned by a desire to express a national consciousness. It was this ambition which became the defining feature of radical Scottish art, setting the parameters of its relationship with the idea of a coherent and international modern movement. With the foundation of the National Party of Scotland in 1928, Scottish intellectuals began to consider the nature of national identity and the characteristics of a national art. The "Scottish Renaissance Movement", under the voluble leadership of Hugh MacDiarmid, set out to articulate these interests, developing a vernacular poetry and literature. For Scottish artists, the way forward was harder to identify, as they fought to reconcile the demands for a Scottish national art with the stylistic revolution of international modernism. Tom Normand examines the competing claims of nationalism and modernism as they affected Scottish art. This in-depth analysis of a dynamic episode in Scottish visual culture looks at the work of, among others, William Johnstone, William McCance and John Duncan Fergusson.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This title was first published in 2000:  An investigation of Scottish art between 1928 and 1955 to bring into focus the multifaceted project that was Scottish modernism. At the core of this work lies the contention that Scottish modernism was underpinned by a desire to express a national consciousness. It was this ambition which became the defining feature of radical Scottish art, setting the parameters of its relationship with the idea of a coherent and international modern movement. With the foundation of the National Party of Scotland in 1928, Scottish intellectuals began to consider the nature of national identity and the characteristics of a national art. The "Scottish Renaissance Movement", under the voluble leadership of Hugh MacDiarmid, set out to articulate these interests, developing a vernacular poetry and literature. For Scottish artists, the way forward was harder to identify, as they fought to reconcile the demands for a Scottish national art with the stylistic revolution of international modernism. Tom Normand examines the competing claims of nationalism and modernism as they affected Scottish art. This in-depth analysis of a dynamic episode in Scottish visual culture looks at the work of, among others, William Johnstone, William McCance and John Duncan Fergusson.

More books from Taylor and Francis

Cover of the book Marketing and Consumption in Modern Japan by Tom Normand
Cover of the book Queerying Families of Origin by Tom Normand
Cover of the book Entrepreneurship the Disney Way by Tom Normand
Cover of the book Mobility by Tom Normand
Cover of the book Land Law and Urban Policy in Context by Tom Normand
Cover of the book Routledge Handbook of Gender in South Asia by Tom Normand
Cover of the book Capital Spaces by Tom Normand
Cover of the book Flexible Learning in a Digital World by Tom Normand
Cover of the book The Problem of Existence by Tom Normand
Cover of the book Tourism and Hospitality in Conflict-Ridden Destinations by Tom Normand
Cover of the book Conflict and Crisis in the Religious Life of Late Victorian England by Tom Normand
Cover of the book Organizational Reputation in the Public Sector by Tom Normand
Cover of the book Bilderberg People by Tom Normand
Cover of the book Open(ing) Authority Through Community Engagement by Tom Normand
Cover of the book Italy and Its Eastern Border, 1866-2016 by Tom Normand
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy