The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance

Nonfiction, Entertainment, Music
Cover of the book The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance by Kevin Dawe, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kevin Dawe ISBN: 9781351541862
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Kevin Dawe
ISBN: 9781351541862
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now absolutely essential and that such a study must also include discussion of a wide range of theoretical issues, literature, musical cultures and technologies as they come to bear upon the instrument. Dawe presents a synthesis of previous work on the guitar, but also expands the terms by which the guitar might be studied. Moreover, in order to understand the properties and potential of the guitar as an agent of music, culture and society, the author draws from studies in science and technology, design theory, material culture, cognition, sensual culture, gender and sexuality, power and agency, ethnography (real and virtual) and globalization. Dawe presents the guitar as an instrument of scientific investigation and part of the technology of globalization, created and disseminated through corporate culture and cottage industry, held close to the body but taken away from the body in cyberspace, and involved in an enormous variety of cultural interactions and political exchanges in many different contexts around the world. In an effort to understand the significance and meaning of the guitar in the lives of those who may be seen to be closest to it, as well as providing a critically-informed discussion of various approaches to guitar performance, technologies and techniques, the book includes discussion of the work of a wide range of guitarists, including Robert Fripp, Kamala Shankar, Newton Faulkner, Lionel Loueke, Sharon Isbin, Steve Vai, Bob Brozman, Kaki King, Fred Frith, John 5, Jennifer Batten, Guthrie Govan, Dominic Frasca, I Wayan Balawan, Vicki Genfan and Hasan Cihatter.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now absolutely essential and that such a study must also include discussion of a wide range of theoretical issues, literature, musical cultures and technologies as they come to bear upon the instrument. Dawe presents a synthesis of previous work on the guitar, but also expands the terms by which the guitar might be studied. Moreover, in order to understand the properties and potential of the guitar as an agent of music, culture and society, the author draws from studies in science and technology, design theory, material culture, cognition, sensual culture, gender and sexuality, power and agency, ethnography (real and virtual) and globalization. Dawe presents the guitar as an instrument of scientific investigation and part of the technology of globalization, created and disseminated through corporate culture and cottage industry, held close to the body but taken away from the body in cyberspace, and involved in an enormous variety of cultural interactions and political exchanges in many different contexts around the world. In an effort to understand the significance and meaning of the guitar in the lives of those who may be seen to be closest to it, as well as providing a critically-informed discussion of various approaches to guitar performance, technologies and techniques, the book includes discussion of the work of a wide range of guitarists, including Robert Fripp, Kamala Shankar, Newton Faulkner, Lionel Loueke, Sharon Isbin, Steve Vai, Bob Brozman, Kaki King, Fred Frith, John 5, Jennifer Batten, Guthrie Govan, Dominic Frasca, I Wayan Balawan, Vicki Genfan and Hasan Cihatter.

More books from Taylor and Francis

Cover of the book Ageing, Crime and Society by Kevin Dawe
Cover of the book Sartre's French Contemporaries and Enduring Influences by Kevin Dawe
Cover of the book Minimum Deterrence: Examining the Evidence by Kevin Dawe
Cover of the book Summer Learning by Kevin Dawe
Cover of the book The Production Sites of Architecture by Kevin Dawe
Cover of the book Psychoanalysis and Culture by Kevin Dawe
Cover of the book Dangerous and Severe Personality Disorder by Kevin Dawe
Cover of the book Airline Operations and Scheduling by Kevin Dawe
Cover of the book Human Behavior Theory by Kevin Dawe
Cover of the book The Consumption and Representation of Lifestyle Sports by Kevin Dawe
Cover of the book Further Aspects of Piaget's Work by Kevin Dawe
Cover of the book Eighteenth Century English Poetry by Kevin Dawe
Cover of the book Painting and the Inner World by Kevin Dawe
Cover of the book Social Work Case Management by Kevin Dawe
Cover of the book Women in Sufism by Kevin Dawe
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy