The Philosopher’s Touch

Sartre, Nietzsche, and Barthes at the Piano

Nonfiction, Entertainment, Music, Religion & Spirituality, Philosophy, Biography & Memoir
Cover of the book The Philosopher’s Touch by François Noudelmann, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: François Noudelmann ISBN: 9780231527200
Publisher: Columbia University Press Publication: January 3, 2012
Imprint: Columbia University Press Language: English
Author: François Noudelmann
ISBN: 9780231527200
Publisher: Columbia University Press
Publication: January 3, 2012
Imprint: Columbia University Press
Language: English

Renowned philosopher and prominent French critic François Noudelmann engages the musicality of Jean-Paul Sartre, Friedrich Nietzsche, and Roland Barthes, all of whom were amateur piano players and acute lovers of the medium. Though piano playing was a crucial art for these thinkers, their musings on the subject are largely scant, implicit, or discordant with each philosopher's oeuvre. Noudelmann both recovers and integrates these perspectives, showing that the manner in which these philosophers played, the composers they adored, and the music they chose reveals uncommon insight into their thinking styles and patterns.

Noudelmann positions the physical and theoretical practice of music as a dimension underpinning and resonating with Sartre's, Nietzsche's, and Barthes's unique philosophical outlook. By reading their thought against their music, he introduces new critical formulations and reorients their trajectories, adding invaluable richness to these philosophers' lived and embodied experiences. The result heightens the multiple registers of being and the relationship between philosophy and the senses that informed so much of their work. A careful reader of music, Noudelmann maintains an elegant command of the texts under his gaze and appreciates the discursive points of musical and philosophical scholarship they involve, especially with regard to recent research and cutting-edge critique.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Renowned philosopher and prominent French critic François Noudelmann engages the musicality of Jean-Paul Sartre, Friedrich Nietzsche, and Roland Barthes, all of whom were amateur piano players and acute lovers of the medium. Though piano playing was a crucial art for these thinkers, their musings on the subject are largely scant, implicit, or discordant with each philosopher's oeuvre. Noudelmann both recovers and integrates these perspectives, showing that the manner in which these philosophers played, the composers they adored, and the music they chose reveals uncommon insight into their thinking styles and patterns.

Noudelmann positions the physical and theoretical practice of music as a dimension underpinning and resonating with Sartre's, Nietzsche's, and Barthes's unique philosophical outlook. By reading their thought against their music, he introduces new critical formulations and reorients their trajectories, adding invaluable richness to these philosophers' lived and embodied experiences. The result heightens the multiple registers of being and the relationship between philosophy and the senses that informed so much of their work. A careful reader of music, Noudelmann maintains an elegant command of the texts under his gaze and appreciates the discursive points of musical and philosophical scholarship they involve, especially with regard to recent research and cutting-edge critique.

More books from Columbia University Press

Cover of the book Cinema by Design by François Noudelmann
Cover of the book Manly States by François Noudelmann
Cover of the book Epic of Evolution by François Noudelmann
Cover of the book The Politics of Secularism by François Noudelmann
Cover of the book The Cinema of Sean Penn by François Noudelmann
Cover of the book The Autonomy of Pleasure by François Noudelmann
Cover of the book Gypsies and the British Imagination, 1807-1930 by François Noudelmann
Cover of the book Nuthin' but a "G" Thang by François Noudelmann
Cover of the book Reworking Race by François Noudelmann
Cover of the book Satyajit Ray on Cinema by François Noudelmann
Cover of the book Happiness and Goodness by François Noudelmann
Cover of the book Knock Me Up, Knock Me Down by François Noudelmann
Cover of the book Useless Arithmetic by François Noudelmann
Cover of the book Christo-Fiction by François Noudelmann
Cover of the book Who Made Early Christianity? by François Noudelmann
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy