The Philosophy of Steven Soderbergh

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Religion & Spirituality, Philosophy
Cover of the book The Philosophy of Steven Soderbergh by , The University Press of Kentucky
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Author: ISBN: 9780813139890
Publisher: The University Press of Kentucky Publication: September 29, 2010
Imprint: The University Press of Kentucky Language: English
Author:
ISBN: 9780813139890
Publisher: The University Press of Kentucky
Publication: September 29, 2010
Imprint: The University Press of Kentucky
Language: English

Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist.

Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in philosophy and film studies for the first systematic analysis of Soderbergh's entire body of work, offering the first in-depth exploration of the philosophical ideas that form the basis of the work of one of the most commercially successful and consistently inventive filmmakers of our time.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist.

Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in philosophy and film studies for the first systematic analysis of Soderbergh's entire body of work, offering the first in-depth exploration of the philosophical ideas that form the basis of the work of one of the most commercially successful and consistently inventive filmmakers of our time.

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