The Picture of Abjection

Film, Fetish, and the Nature of Difference

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science, Gender Studies, Women&
Cover of the book The Picture of Abjection by Tina Chanter, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tina Chanter ISBN: 9780253027771
Publisher: Indiana University Press Publication: January 11, 2008
Imprint: Indiana University Press Language: English
Author: Tina Chanter
ISBN: 9780253027771
Publisher: Indiana University Press
Publication: January 11, 2008
Imprint: Indiana University Press
Language: English

Tina Chanter resolves a fundamental problem in film theory by negotiating a middle path between "gaze theory" approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by the myth of castration and the logic of disavowal, when fetishism is taken up by race theory, or cultural theory, the multiple and fluid registers of abjection are obscured. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to reify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident categories.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Tina Chanter resolves a fundamental problem in film theory by negotiating a middle path between "gaze theory" approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by the myth of castration and the logic of disavowal, when fetishism is taken up by race theory, or cultural theory, the multiple and fluid registers of abjection are obscured. By mobilizing a theory of abjection, the book shows how the appeal to phallic, fetishistic theories continues to reify the hegemonic categories of race, class, sexuality, and gender, as if they stood as self-evident categories.

More books from Indiana University Press

Cover of the book Russia's People of Empire by Tina Chanter
Cover of the book Rising Tides by Tina Chanter
Cover of the book Life in the Time of Oil by Tina Chanter
Cover of the book Plowed Under by Tina Chanter
Cover of the book The Event by Tina Chanter
Cover of the book Materialities of Ritual in the Black Atlantic by Tina Chanter
Cover of the book The Grand Scribe's Records, Volume X by Tina Chanter
Cover of the book Hip Hop Africa by Tina Chanter
Cover of the book Seasoned Socialism by Tina Chanter
Cover of the book Gettysburg Heroes by Tina Chanter
Cover of the book All Things Are Possible by Tina Chanter
Cover of the book Costume by Tina Chanter
Cover of the book From New York to San Francisco by Tina Chanter
Cover of the book Nietzsche and Phenomenology by Tina Chanter
Cover of the book Aesthetics as Phenomenology by Tina Chanter
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy