The Pinkster King and the King of Kongo

The Forgotten History of America's Dutch-Owned Slaves

Nonfiction, Social & Cultural Studies, Social Science, Folklore & Mythology, Discrimination & Race Relations, Cultural Studies, African-American Studies
Cover of the book The Pinkster King and the King of Kongo by Jeroen Dewulf, University Press of Mississippi
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jeroen Dewulf ISBN: 9781496808820
Publisher: University Press of Mississippi Publication: December 20, 2016
Imprint: University Press of Mississippi Language: English
Author: Jeroen Dewulf
ISBN: 9781496808820
Publisher: University Press of Mississippi
Publication: December 20, 2016
Imprint: University Press of Mississippi
Language: English

The Pinkster King and the King of Kongo presents the history of the nation's forgotten Dutch slave community and free Dutch-speaking African Americans from seventeenth-century New Amsterdam to nineteenth-century New York and New Jersey. It also develops a provocative new interpretation of one of America's most intriguing black folkloric traditions, Pinkster. Jeroen Dewulf rejects the usual interpretation of this celebration of a "slave king" as a form of carnival. Instead, he shows that it is a ritual rooted in mutual-aid and slave brotherhood traditions. By placing these traditions in an Atlantic context, Dewulf identifies striking parallels to royal election rituals in slave communities elsewhere in the Americas, and he traces these rituals to the ancient Kingdom of Kongo and the impact of Portuguese culture in West-Central Africa.

Dewulf's focus on the social capital of slaves follows the mutual aid to seventeenth-century Manhattan. He suggests a much stronger impact of Manhattan's first slave community on the development of African American identity in New York and New Jersey than hitherto assumed.

While the earliest works on slave culture in a North American context concentrated on an assumed process of assimilation according to European standards, later studies pointed out the need to look for indigenous African continuities. The Pinkster King and the King of Kongo suggests the necessity for an increased focus on the substantial contact that many Africans had with European--primarily Portuguese--cultures before they were shipped as slaves to the Americas. The book has already garnered honors as the winner of the Richard O. Collins Award in African Studies, the New Netherland Institute Hendricks Award, and the Clague and Carol Van Slyke Prize.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Pinkster King and the King of Kongo presents the history of the nation's forgotten Dutch slave community and free Dutch-speaking African Americans from seventeenth-century New Amsterdam to nineteenth-century New York and New Jersey. It also develops a provocative new interpretation of one of America's most intriguing black folkloric traditions, Pinkster. Jeroen Dewulf rejects the usual interpretation of this celebration of a "slave king" as a form of carnival. Instead, he shows that it is a ritual rooted in mutual-aid and slave brotherhood traditions. By placing these traditions in an Atlantic context, Dewulf identifies striking parallels to royal election rituals in slave communities elsewhere in the Americas, and he traces these rituals to the ancient Kingdom of Kongo and the impact of Portuguese culture in West-Central Africa.

Dewulf's focus on the social capital of slaves follows the mutual aid to seventeenth-century Manhattan. He suggests a much stronger impact of Manhattan's first slave community on the development of African American identity in New York and New Jersey than hitherto assumed.

While the earliest works on slave culture in a North American context concentrated on an assumed process of assimilation according to European standards, later studies pointed out the need to look for indigenous African continuities. The Pinkster King and the King of Kongo suggests the necessity for an increased focus on the substantial contact that many Africans had with European--primarily Portuguese--cultures before they were shipped as slaves to the Americas. The book has already garnered honors as the winner of the Richard O. Collins Award in African Studies, the New Netherland Institute Hendricks Award, and the Clague and Carol Van Slyke Prize.

More books from University Press of Mississippi

Cover of the book Creolization as Cultural Creativity by Jeroen Dewulf
Cover of the book Panel to the Screen by Jeroen Dewulf
Cover of the book Ang Lee by Jeroen Dewulf
Cover of the book Abraham Polonsky by Jeroen Dewulf
Cover of the book To Make a New Race by Jeroen Dewulf
Cover of the book Prophet Singer by Jeroen Dewulf
Cover of the book Queen of the Virgins by Jeroen Dewulf
Cover of the book Angola to Zydeco by Jeroen Dewulf
Cover of the book Making a Way out of No Way by Jeroen Dewulf
Cover of the book Mississippi by Jeroen Dewulf
Cover of the book MuzikMafia by Jeroen Dewulf
Cover of the book To Write in the Light of Freedom by Jeroen Dewulf
Cover of the book American Indians and the Rhetoric of Removal and Allotment by Jeroen Dewulf
Cover of the book The Last Resort by Jeroen Dewulf
Cover of the book John Cassavetes by Jeroen Dewulf
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy