The Portfolio of Villard de Honnecourt

A New Critical Edition and Color Facsimile (Paris, Bibliothèque nationale de France, MS Fr 19093) with a glossary by Stacey L. Hahn

Nonfiction, History
Cover of the book The Portfolio of Villard de Honnecourt by Carl F. Barnes Jr., Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Carl F. Barnes Jr. ISBN: 9781351883696
Publisher: Taylor and Francis Publication: March 2, 2017
Imprint: Routledge Language: English
Author: Carl F. Barnes Jr.
ISBN: 9781351883696
Publisher: Taylor and Francis
Publication: March 2, 2017
Imprint: Routledge
Language: English

This new facsimile edition of the Portfolio of the 13th-century Picard artist Villard de Honnecourt is the first ever to be published in color. The thirty-three leaves are reproduced at actual size from high-quality color transparencies to ensure the best possible color reproduction of the drawings. One can now see variations in inks and quill strokes, traces of preliminary drawings, and corrections made by the artist. This study is also the first to give a thorough description of the condition of the leaves, analysis of each drawing in the portfolio individually, and new transcriptions and literal and free translations of the inscriptions. The opening chapter covers the history and physical condition of the portfolio, including reassigning "hands" to text found on the leaves. The author analyses the tools and inks used, Villard's drawing technique and style, and evaluates Villard as an artist-draftsman. Chapter II, the body of the book, is devoted to detailed analyses of the leaves, one by one, and their drawings and inscriptions. These analyses are of interest to those concerned with medieval technology and theology as well as to those interested in medieval art and architecture. Chapter III is a new biography of Villard that challenges the many wild speculations of the last century and a half about Villard, separating obvious fiction from possible fact. Barnes analyzes in detail Villard's drawings of different Gothic buildings and makes a case for Villard having been a lay representative of the cathedral chapter at Cambrai, one of the buildings Villard drew. An extensive bibliography of Villard studies and a glossary of Villard's technical and artistic terms complete this important new study.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This new facsimile edition of the Portfolio of the 13th-century Picard artist Villard de Honnecourt is the first ever to be published in color. The thirty-three leaves are reproduced at actual size from high-quality color transparencies to ensure the best possible color reproduction of the drawings. One can now see variations in inks and quill strokes, traces of preliminary drawings, and corrections made by the artist. This study is also the first to give a thorough description of the condition of the leaves, analysis of each drawing in the portfolio individually, and new transcriptions and literal and free translations of the inscriptions. The opening chapter covers the history and physical condition of the portfolio, including reassigning "hands" to text found on the leaves. The author analyses the tools and inks used, Villard's drawing technique and style, and evaluates Villard as an artist-draftsman. Chapter II, the body of the book, is devoted to detailed analyses of the leaves, one by one, and their drawings and inscriptions. These analyses are of interest to those concerned with medieval technology and theology as well as to those interested in medieval art and architecture. Chapter III is a new biography of Villard that challenges the many wild speculations of the last century and a half about Villard, separating obvious fiction from possible fact. Barnes analyzes in detail Villard's drawings of different Gothic buildings and makes a case for Villard having been a lay representative of the cathedral chapter at Cambrai, one of the buildings Villard drew. An extensive bibliography of Villard studies and a glossary of Villard's technical and artistic terms complete this important new study.

More books from Taylor and Francis

Cover of the book Psychology and Morals by Carl F. Barnes Jr.
Cover of the book The Routledge Handbook of Hispanic Applied Linguistics by Carl F. Barnes Jr.
Cover of the book Marketing Communications for Local Nonprofit Organizations by Carl F. Barnes Jr.
Cover of the book Eugenic Fantasies by Carl F. Barnes Jr.
Cover of the book Chinese Economic Planning: Translations from Chi-Hua Ching-Chi by Carl F. Barnes Jr.
Cover of the book CPTED and Traditional Security Countermeasures by Carl F. Barnes Jr.
Cover of the book The Politics of Hospital Provision in Early Twentieth-Century Britain by Carl F. Barnes Jr.
Cover of the book Autobiographies of Transformation by Carl F. Barnes Jr.
Cover of the book Place and Progress in the Works of Elizabeth Gaskell by Carl F. Barnes Jr.
Cover of the book The Third Reich by Carl F. Barnes Jr.
Cover of the book Paulo Freire by Carl F. Barnes Jr.
Cover of the book Ricardo on Money by Carl F. Barnes Jr.
Cover of the book An HR Guide to Workplace Fraud and Criminal Behaviour by Carl F. Barnes Jr.
Cover of the book From Puritanism to Postmodernism by Carl F. Barnes Jr.
Cover of the book Cyber Security by Carl F. Barnes Jr.
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy